 Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole...  A Grammar of Elocution: Adapted to the Use of Teachers and Learners in the ... - Página 285de H. O. Apthorp - 1858 - 273 páginasVisualização completa - Sobre este livro
 | A. J. Hartley - 2006 - 406 páginas
...into the dry, red earth, it all seemed both perfectly possible and of no real consequence. "What's Hecuba to him or he to Hecuba that he should weep for her?" said Hamlet, after an actor had performed the Trojan queen's grief at the murder of her husband, Priam.... | |
 | James Boyd White - 2009 - 251 páginas
...who is able to express a powerful lament for Hecuba in the play he is rehearsing and asks: "What's Hecuba to him, or he to Hecuba, that he should weep for her?" (II, ii, 532-33). Think what this actor would be able to say, Hamlet goes on, if he had my real-world... | |
 | Matthew Steggle - 2007 - 182 páginas
...Restoration London. That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? (Hamlet, 2.2.545-50) Hamlet's list is almost a checklist of various secondary symptoms of weeping,... | |
 | João Biehl, Byron Good, Arthur Kleinman - 2007 - 477 páginas
...his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit. (2.2.554-559) and the Ghost's description of the effect that his tale of torment would have on Hamlet:... | |
 | Margreta de Grazia - 2007 - 16 páginas
...slaughter" he takes the pitiful part of Hecuba: his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit. (2.2.548-51) Hamlet calls the transformation "monstrous" (2.2.545): like any extreme of passion, grief... | |
 | Peter Holland - 2007 - 370 páginas
...his whole conceit / That from her working all his visage wanned, / Tears in his eyes, distraction ins aspect, / A broken voice, and his whole function suiting / With forms to his conceit' (2.2.529, 30—4). What would the Player do, Hamlet wonders, 'had he the motive and the cue for passion... | |
 | Eugene Chen Eoyang - 2007 - 244 páginas
...campaign against the bellicosity of males? "For Hecuba!" — Hamlet, typically male, snorts — "What's Hecuba to him or he to Hecuba / That he should weep for her?" If men can moum the death of Hector, why can't they weep for the life of Hecuba? And why shouldn't... | |
 | Basil Dufallo, Peggy McCracken - 2006 - 188 páginas
...Whereas in Hamlet she represents a kind of uncensored emotional outpouring that Hamlet envies — "What's Hecuba to him, or he to Hecuba, / That he should weep for her?" Hamlet asks of a player who has been moved to tears reciting a speech about her (2.2.536—37) —... | |
 | J. F. Pagel - 2010 - 250 páginas
...passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in 's aspect, A broken...suiting With forms to his conceit? And all for nothing! (W. Shakespeare, Hamlet, ACT II. Sc. 2) The expression of emotion is a brain-based cognitive process.... | |
 | 日英言語文化研究会 - 2008 - 382 páginas
...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing@ 2・2・545・551 ハムレット は ・ 役者 に 自分 と 同じ ・ 清熱 の 動機 が あり... | |
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