 Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole...  A Grammar of Elocution: Adapted to the Use of Teachers and Learners in the ... - Página 285de H. O. Apthorp - 1858 - 273 páginasVisualização completa - Sobre este livro
 | Joseph Dennie, John Elihu Hall - 1809 - 588 páginas
...vision wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whdle functions suiting, With forms to his conceit, and all for nothing-,...him, or he to Hecuba, That he should weep for her !" In the second class, I place the actor of taste, of study, and reflection, who diving with profound... | |
 | William Shakespeare - 1809 - 484 páginas
...well as the whole context, show, t.hat by " change thy colour," Shakspeare meant grow pale Mafane. A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing 1 For Hecuba ! What 's Hecuba to him, or he to Hecuba,* That he should weep for her? What would he... | |
 | William Shakespeare - 1809 - 476 páginas
...the whole context, show, that hy " change thy colour," Shakspeare meant grovi pale. Malone. A hroken voice, and his whole function suiting With forms to his conceit ? And all for nothing ! For Hecuha! What 's Hecuha to him, or he to Hecuha,* That he should weep for her? What would he do, Had... | |
 | John Walker - 1810 - 394 páginas
...his own conceit, That from her working, all his visage warm'd, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...him, or he to Hecuba, That he should weep for her ? Kid. Hamla. PEEVISHNESS. Peevishness is an habitual proneness to anger on every slight occasion,... | |
 | William Shakespeare - 1811 - 498 páginas
...his own conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...to his conceit ? And all for nothing ! For Hecuba ! _ What's Hecuba to him, or he to Hecuba, That he should weep for her ? What would he do, Had he the... | |
 | William Shakespeare - 1812 - 420 páginas
...conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect,1 A broken voice, and his whole function suiting With...him, or he to Hecuba, That he should weep for her i What would he do, Had he the motive and the cue for passion, That I have t He would drown the stage... | |
 | William Richardson - 1812 - 468 páginas
...his whole function suiting, Wiih forms, to his conceit ? and all for nothing* For Hecuba ! "Vv kit's Hecuba to him, or he to Hecuba, That he should weep for her ? What would lie do, Had he the motive and the cue for passion That I have ? He would drown the stage with tears,... | |
 | James Bruce - 1813 - 534 páginas
...treat the inquiry about the source of the Nile as a violent effort of a distempered fancy : — What's Hecuba to him, or he to Hecuba, That he should weep for her?— Grief, or despondency, now rolling upon me like a torrent ; relaxed, not refreshed, by unquiet and... | |
 | Gavin Young - 1817 - 422 páginas
...illusion of which the actor is susceptible is different. If he has " Tears in his eyes, distraction in's aspect *' A broken voice and his whole function suiting " With forms to his conceit?" his distress must be original, not sympathetic; he must identify himself with the personage he represents.... | |
 | 1839 - 870 páginas
...cannot believe that the orator is himself influenced by the feelings which he seeks to excite. " What's Hecuba to him, or he to Hecuba, That he should weep for her?" Our sympathies are on their guard against him, and the more he labours by an assumed warmth to excite... | |
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