 | William Shakespeare - 1995 - 136 Seiten
...own self be true, And it must follow as the night the day Thou canst not then be false to any man. 19 O, what a rogue and peasant slave am I! Is it not...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Herbert R. Coursen - 1995 - 314 Seiten
...conscious and unconscious mind. (19) Mazer quotes Hamlet's response to the Player's Hecuba Speech: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his own conceit? The process... | |
 | J. Leeds Barroll - 1995 - 304 Seiten
...another masquerading "nothing": O what a rogue and peasant slave am I! Is it not monstrous that the player here, But in a fiction, in a dream of passion,...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for... | |
 | Pauline Kiernan - 1998 - 236 Seiten
...HAMLET 'Is it not monstrous', Hamlet asks, that it is the fictitiousness of drama which compels belief? O what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect,... | |
 | Richard Halpern - 1997 - 308 Seiten
...player recites a speech about the death of Priam, prompting one of Hamlet's notorious soliloquies: O, what a rogue and peasant slave am I! Is it not...soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function... | |
 | Charles Segal - 1997 - 446 Seiten
...ii ""£•• / • •«*• <• •••• / •••• Metatragedy: Art, Illusion, Imitation Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting,... | |
 | Moses Mendelssohn - 1997 - 370 Seiten
...that Shakespeare is able to draw from these common circumstances - the Prince speaks with himself: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect,... | |
 | Elena Alexander, Douglas Dunn - 1998 - 204 Seiten
...through this routine, and I am now thinking . . . No, I will let you in on what Hamlet is thinking: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Stephen Orgel, Sean Keilen - 1999 - 356 Seiten
...been so eager for a passionate speech is yet surprised when it comes and when it seizes the player: O, what a rogue and peasant slave am I! Is it not...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | John Russell Brown - 1999 - 228 Seiten
...remain so. At times Hamlet speaks directly ahout acting and, in soliloquy, is ohjectively descriptive: Is it not monstrous that this player here, But in...wann'd; Tears in his eyes, distraction in's aspect, A hroken voice, and his whole function suiting With forms to his conceit? (II. H. 544-50) Of course,... | |
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peasant slave am I ! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice,... 
