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" Lear. O, let me not be mad, not mad, sweet Heaven ! Keep me in temper : I would not be mad ! — Enter Gentleman. "
The Plays of William Shakespeare: With Notes of Various Commentators - Página 51
de William Shakespeare - 1806
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The Dramatic Works of William Shakespeare: With a Life of the Poet, and ...

William Shakespeare - 1851
...not eight ? Fool. Yes, indeed ; thou wouldest make a good fool. Lear. To take it again perforce ! — Monster ingratitude ! Fool. If thou wert my fool,...beaten for being old before thy time. Lear. How's that? Lear. 0, let me not be mad, not mad, sweet Heaven ! Keep me in temper ; I would not be mad ! • —...
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A Course of Reading for Common Schools and the Lower Classes of Academies ...

Henry Mandeville - 1851 - 377 páginas
...the key-note, more or less prolonged, of those sentences : eg O noble judge ! 0 excellent young man ! O, let me not be mad ! not mad, sweet heaven ! Keep me in temper : I would not be mad ! Nurse. O lamentable day! Lady Cap. What's the matter? Nurse. Look! look! O heavy day! Lady Cap. O...
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Dictionary of Shakespearian Quotations: Exhibiting the Most Forcible ...

William Shakespeare - 1851 - 418 páginas
...: her speech is nothing, Yet the unshaped use of it, doth move The hearers to collection. // Iv. 5. O let me not be mad, not mad, sweet heaven ! Keep me in temper ; I would not be mad ! KL i. 5. How pregnant sometimes his replies are ! a happiness that often madness hits on, which reason...
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The Elements of Reading and Oratory

Henry Mandeville - 1851 - 356 páginas
...the keynote, more or less prolonged, of those sentences : eg 0 noble judge ! 0 excellent young man ! O, let me not be mad! not mad, sweet heaven! Keep me in temper : I would not be inad ! Nurse. 0 lamentable day ! Lady Cap. What's the matter ? Nurse. Look ! look ! 0 heavy day ! Lady...
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William Shakspeare's Complete Works, Dramatic and Poetic, Volume 2

William Shakespeare - 1852
...not eight ? FooL Yes, indeed : Thou would'st make a good fool. Lear. To take it again perforce ! — liam Shakespeare shouid'st not have been old, before Ihou hadst been wise. Lear. О let me not be mad, not mad, sweet...
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Dramatic Works: From the Text of Johnson, Stevens and Reed; with ..., Volume 4

William Shakespeare - 1852
...Fool. If thou wert my fool, nunole, I'd have thee beaten for being old before thy time. Lear. Holy's that. Fool. Thou shouldst not have been old, before...been wise. Lear. O let me not be mad, not mad, sweet hearen ! Keep me in temper ; I would not be mad ! — Enter GENTLEMAN. How now ! Are the horses ready...
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The Works of William Shakespeare: Comprising His Dramatic and ..., Volume 2

William Shakespeare - 1853
...time. Lear. How's that? Fool. Thou should'st not hare been old, before Uion hadst been wise. I. inr. О , Under the which he shall not choose but fall : And...shall breathe; Bui even his mother shall uncharge Geni. Ready, my lord. Lear. Come, buy. Fuol. She that u maid now, and laughs at my departure, Shall...
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The plays of Shakspere, carefully revised [by J.O.] with ..., Parte 167,Volume 2

William Shakespeare - 1853
...Lear. To take it again perforce! — Monster ingratitude ! Fool. If thou wert my fool, nuncle, I 'd ed Without delay : and the pretence for this Is named your wars in France. This О let me not be mad, not mad, sie« heaven ! Keep me in temper : i would not be m*J • Enter Gentleman....
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The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay ...

Samuel Taylor Coleridge - 1853
...choice of him had royalized his state, may be some little excuse for Albany's weakness. Ib. sc. 5. Lear. O let me not be mad, not mad, sweet heaven! Keep me in temper ! I would not be mad !— The mind's own anticipation of madness ! The deepest tragic notes are often struck by a half sense...
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THE COMPLETE WORKS OF SAMUEL TAYLOR COLERIDGE

PROFESSOR SHEDD - 1853
...of him had royalized his state, may be some little excuse for Albany's weakness. Ib. sc. 5. Lear. 0 let me not be mad, not mad, sweet heaven! Keep me in temper ! I would not be mad ! — • The mind's own anticipation of madness ! The deepest tragic notes are often struck by a half...
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