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" Dangerous conceits are, in their natures, poisons, Which, at the first, are scarce found to distaste ; But, with a little act upon the blood, Burn like the mines of sulphur. "
Blackwood's Magazine - Página 490
1850
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Othello

William Shakespeare - 2002 - 169 páginas
...confirmations strong 325 As proofs of holy writ. This may do something. The Moor already changes with my poison: Dangerous conceits are in their natures poisons,...to distaste But, with a little act upon the blood, 330 Burn like the mines of sulphur. I did say so. Enter Othello 331 poppy: opium (derived from the...
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English Ethnicity and Race in Early Modern Drama

Mary Floyd-Wilson - 2003 - 256 páginas
...explains it, the "wak[ing]" of Othello's "wrath" will unfold in stages: The Moor already changes with my poison. Dangerous conceits are in their natures poisons....act upon the blood, Burn like the mines of sulphur. (3. 3. 329-33) In contrast to the blood that threatens fleetingly to rule Othello's "safer guides"...
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Othello

Steven Croft - 2004 - 208 páginas
...confirmations strong As proofs of Holy Writ. This may do something. 320 The Moor already changes with my poison Dangerous conceits are in their natures poisons,...act upon the blood, Burn like the mines of sulphur. Enter OTHELLO I did say so. 325 Look where he comes! Not poppy, nor mandragora, Nor all the drowsy...
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Othello

William Shakespeare - 2011 - 368 páginas
...confirmations strong As proofs of holy writ. This may do something. [The Moor already changes with my poison;] Dangerous conceits are in their natures poisons, Which at the first are scarce found to distaste, 375 But with a little act upon the blood Burn like the mines of sulfur. Enter Othello. I did say so....
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Humoring the Body: Emotions and the Shakespearean Stage

Gail Kern Paster - 2010 - 288 páginas
...manifold physiological changes worked by what lago calls the "poison" of "dangerous conceits," which "with a little act upon the blood/ Burn like the mines of sulphur" (3.3.325-29), heating the blood — thickening, blackening, collying it. Ironically (if unsurprisingly),...
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Quit Your Worrying

George Wharton James - 2005 - 204 páginas
...the handkerchief in Cassio's room, at the j same time saying: i I j The Moor already changes with my poison; ] Dangerous conceits are in their natures...upon the blood, ! Burn like the mines of sulphur. I • And as he sees the tortures the jealous worries of the Moor have already produced in him, he exultingly...
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The Great Comedies and Tragedies

William Shakespeare - 2005 - 896 páginas
...confirmations strong As proofs of holy writ: this may do something. The Moor already changes with my poison: Dangerous conceits are in their natures poisons...to distaste But, with a little act upon the blood, 330 Bum like the mines of sulphur. Re-enter OTHELLO I did say so: Look where he comes! Not poppy, nor...
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The Scandal of Images: Iconoclasm, Eroticism, and Painting in Early Modern ...

Marguerite A. Tassi - 2005 - 259 páginas
...vicious insinuations begin to affect Othello's mind, lago claims, The Moor already changes with my poison: Dangerous conceits are in their natures poisons,...to distaste, But with a little act upon the blood Bum like the mines of sulphur. (3.3.325-29) Poison is a figure for jealousy, for like a deadly chemical,...
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Renaissance Drama 33

Jeffrey Masten, Wendy Wall - 2005 - 246 páginas
...confirmations strong As proofs of holy writ. This may do something. The Moor already changes with my poison: Dangerous conceits are in their natures poisons...first are scarce found to distaste But with a little art upon the blood Burn like the mines of sulphur. [Enter OTHELLO} I did say so: Look, where he comes....
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Rossinis opere serie: zur musikalisch-dramatischen Konzeption

Marcus Chr Lippe - 2005 - 369 páginas
...is the green-ey'd monster, which doth mock That meat it feeds on.}: The Moor already changes with my poison: Dangerous conceits are in their natures poisons....at the first are scarce found to distaste. But with little act upon the blood Burn like the mines of sulphur. 50 Vgl. Shakespeare, Othello, Szene V. 2....
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