| C. C. Barfoot - 2006 - 504 páginas
...effects a strong contrast. It is much quieter, more contemplative and reflective in tone: Heard melodies are sweet, but those unheard Are sweeter; therefore,...pipes, play on; Not to the sensual ear, but, more endeared, Pipe to the spirit ditties of no tone. (11. 11-14) The perspective shifts from the first... | |
| William Roetzheim - 2006 - 208 páginas
...What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore,...pipes, play on; Not to the sensual ear, but, more endeared, Pipe to the spirit ditties of no tone. Fair youth, beneath the trees, thou canst not leave... | |
| William Roetzheim - 2006 - 760 páginas
...What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard are sweeter; therefore,...pipes, play on; not to the sensual ear. but, more endeared, pipe to the spirit ditties of no tone. Fairyouth. beneath the trees, thou canst not leave... | |
| John Erskine - 2006 - 200 páginas
[ O conteúdo desta página é restrito ] | |
| Mary Brannigan - 2006 - 287 páginas
...conscious awareness. 'Life is like nothing, because it is everything' William Golding 'Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on' 'Ode on a Grecian Urn' John Keats DREAMING AND TUNING IN The aura which surrounds the body is a reflection... | |
| John McGinley - 2006 - 637 páginas
...What MAD pursuit! What struggle to escape? What pipes and tumbrels? WHAT WILD ECSTASY? Hear melodies are sweet, but those unheard Are sweeter: therefore, ye soft pipes PLAY on; AH! ASHER ASHER boughs! That cannot shed Your leaves, nor ever bid the spring adieu; And ASHER melodist,... | |
| Adam L. Gowans - 2007 - 176 páginas
[ O conteúdo desta página é restrito ] | |
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