| Kevin Corrigan - 2005 - 316 páginas
...made by music prior to this" (V, 8, 1, 31-2; 1, 6, 3. 28-36). Or as Keats puts it, "Heard melodies are sweet, but those unheard/ Are sweeter; therefore,...soft pipes, play on; Not to the sensual ear but more endear'd/Pipe to the spiritual ditties of no sense" ("Ode on a Grecian Um"). Compare l, 6 [1] 3, 28-31:... | |
| Diane Ravitch, Michael Ravitch - 2006 - 512 páginas
...mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? II Heard melodies are sweet, but those unheard Are sweeter; therefore,...never, never canst thou kiss, Though winning near the goal — yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love,... | |
| Jude Morgan - 2006 - 564 páginas
...What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore,...never, never canst thou kiss, Though winning near the goal — yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love,... | |
| Jerome McGann - 2006 - 252 páginas
...Defined as such so that Keats might demonstrate how one can possess impossible things: Heard melodies are sweet, but those unheard Are sweeter; therefore,...more endear'd, Pipe to the spirit ditties of no tone. . . . Charmed by his desire for an unknown urn and the music of its images, Keats has only one resource,... | |
| Peter Dayan - 2006 - 174 páginas
...friend Mallarme who took up the challenge. Chapter 5 On the Evidence of Mallarme's Music Heard melodies are sweet, but those unheard Are sweeter; therefore,...more endear'd, Pipe to the spirit ditties of no tone (...) (Keats, 'Ode on a Grecian Urn") The 1887 edition of Mallarme's Poesies (the only one published... | |
| Elizabeth Kantor - 2006 - 278 páginas
..."Ode on a Grecian Urn" about the lovers on the urn who, being painted, will never die: Heard melodies are sweet, but those unheard Are sweeter; therefore,...pipes, play on, Not to the sensual ear, but, more endeared, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave... | |
| C. C. Barfoot - 2006 - 504 páginas
...effects a strong contrast. It is much quieter, more contemplative and reflective in tone: Heard melodies are sweet, but those unheard Are sweeter; therefore,...pipes, play on; Not to the sensual ear, but, more endeared, Pipe to the spirit ditties of no tone. (11. 11-14) The perspective shifts from the first... | |
| William Roetzheim - 2006 - 208 páginas
...What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore,...pipes, play on; Not to the sensual ear, but, more endeared, Pipe to the spirit ditties of no tone. Fair youth, beneath the trees, thou canst not leave... | |
| William Roetzheim - 2006 - 760 páginas
...What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard are sweeter; therefore,...pipes, play on; not to the sensual ear. but, more endeared, pipe to the spirit ditties of no tone. Fairyouth. beneath the trees, thou canst not leave... | |
| Mary Brannigan - 2006 - 287 páginas
...conscious awareness. 'Life is like nothing, because it is everything' William Golding 'Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on' 'Ode on a Grecian Urn' John Keats DREAMING AND TUNING IN The aura which surrounds the body is a reflection... | |
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