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" The flowers do fade, and wanton fields To wayward Winter reckoning yields: A honey tongue, a heart of gall, Is fancy's spring, but sorrow's fall. Thy gowns, thy shoes, thy beds of roses, Thy cap, thy kirtle, and thy posies, Soon break, soon wither —... "
Beauties of the Scottish poets, or Harp of Renfrewshire, a collection of ... - Página 416
de Renfrew county - 1821
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Foliorum silvula, selections for translation into Latin and Greek verse, by ...

Hubert Ashton Holden - 1866
...in every shepherd's tongue, these pretty pleasures might me move to live with thee and be thy Love. But time drives flocks from field to fold, •when...becometh dumb, and all complain of cares to come. 18— 2 The flowers do fade, and wanton fields to wayward winter reckoning yield: a honey tongue, a...
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The Country and the City

Raymond Williams - 1975 - 335 páginas
...counter was Raleigh's to Marlowe: the relentless intrusion of time on that endless neo-pastoral May: But Time drives flocks from field to fold, When rivers rage and rocks grow cold. Had joys no date, nor age no need, the pastoral appeal would convince. What is then interesting is...
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Andrew Marvell

R. Wilcher - 1985 - 191 páginas
...Shepherd's tongue, These pretty pleasures might me move, To live with thee, and be thy love. Time drives the flocks from field to fold, When Rivers rage, and Rocks grow cold, And Philomel becometh dumb, The rest complains of cares to come. But could youth last, and love still breed, Had joys no date,...
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A Book of Love Poetry

Jon Stallworthy - 1986 - 393 páginas
...in every shepherd's tongue, These pretty pleasures might me move To live with thee and be thy Love. But Time drives flocks from field to fold; When rivers...rage and rocks grow cold; And Philomel becometh dumb; The rest complains of cares to come. The flowers do fade, and wanton fields To wayward Winter reckoning...
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Post-structuralist Readings of English Poetry

C. Norris Machin - 1987 - 406 páginas
...line) is only the more forceful when we remind ourselves that these lines are preceded by the lines, "The flowers do fade, and wanton fields / To wayward winter reckoning yields." The unpredictability and indiscriminacy of unlimited fertility turn into the unpredictability and indiscriminacy...
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Rival Playwrights: Marlowe, Jonson, Shakespeare

James S. Shapiro, Professor James Shapiro - 1991 - 203 páginas
...in every shepherd's tongue, These pretty pleasure might me move To live with thee and be thy love. But Time drives flocks from field to fold, When rivers...rage and rocks grow cold, And Philomel becometh dumb; The rest complains of cares to come. The flowers do fade, and wanton fields To wayward winter reckoning...
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To Make a Poem

Alberta Turner - 1992 - 201 páginas
...shepherd's tongue, These pretty pleasures might me move To live with thee and be thy love. Time drives the flocks from field to fold, When rivers rage, and rocks grow cold, And Philomel becometh dumb; The rest complain of cares to come. The flowers do fade, and wanton fields To wayward winter reckoning...
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The Subtext of Form in the English Renaissance: Proportion Poetical

S. K. Heninger - 1994 - 214 páginas
...Sheepheards tongue, These pretty pleasures might me move, To live with thee, and be thy love. Time drives the flocks from field to fold. When Rivers rage, and Rocks grow cold, And PhiIomeII becommeth dombe, The rest complaines of cares to come. The flowers doe fade, & wanton fieldes,...
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The Columbia Anthology of British Poetry

Carl R. Woodring, James Shapiro - 1995 - 891 páginas
...shepherd's tongue, These pretty pleasures might me move, To live with thee, and be thy love. Time drives the flocks from field to fold, When rivers rage and rocks grow cold, And Philomel becometh dumb; The rest complains of cares to come. The flowers do fade, and wanton fields, To wayward winter reckoning...
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Passion Made Public: Elizabethan Lyric, Gender, and Performance

Diana E. Henderson - 1995 - 279 páginas
...description is not merely possible but inevitable in the temporal world of events: "Time drives the flocks from field to fold, / When Rivers rage, and Rocks grow cold" (5-6). Ralegh's "anti-lyric" follows Marlowe's form throughout, even in his final stanza's recognition...
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