 | Samuel Taylor Coleridge - 1880 - 484 páginas
...proportion. Every human feeling is greater and larger than the exciting cause,—a proof, I think, that man is designed for a higher state of existence;...the identity of two opposite elements, that is to say—sameness and variety. If in the midst of the variety there be not some fixed object for the attention,... | |
 | Maturin Murray Ballou - 1894 - 604 páginas
...— Keats. Every human feeling is greater and larget. than the exciting cause, — a proof, I think, that man is designed for a higher state of existence...something more and beyond the immediate expression. — Coleridge. It is a lively spark of nobleness to descend in most favor to one when he is lowest... | |
 | Frank Landon Humphreys - 1896 - 192 páginas
...feeling is greater and larger than the exciting cause — a proof, I think, that man was designed for music, in which there is always something more and beyond the immediate expression." Milton also had associated music with celestial harmonies when he wrote that they " May with sweetness... | |
 | Opie Percival Read - 1905 - 278 páginas
...long ago I read this : '"Every human feelin' is greater and larger than the excitin' cause — a proof that man is designed for a higher state of existence;...deeply implied in music, in which there is always somethin' more and beyond the immediate expression.' All nature struggles to express music — the... | |
 | Samuel Taylor Coleridge - 1907 - 344 páginas
...proportion. Every human feeling is greater and larger than the exciting cause, — a proof, I think, that man is designed for a higher state of existence...something more and beyond the immediate expression. 35 With regard to works in all the branches of the fine arts, I may remark that the pleasure arising... | |
 | Samuel Taylor Coleridge - 1907 - 348 páginas
...proportion. Every human feeling is greater and larger than the exciting cause, — a proof, I think, that man is designed for a higher state of existence ; and this is deeplyimplied in music, in which there is always something more and beyond the immediate expression.... | |
 | Samuel Taylor Coleridge - 1907 - 348 páginas
...deeply implied in music, in which there is always something more and beyond the immediate expression. 35 With regard to works in all the branches of the fine arts, f I may remark that the pleasure arising from novelty must of course be allowed its due place and weight.... | |
 | SIR PHILIP SIDNEY TO MACAULAY - 1910 - 474 páginas
...of proportion. Every human feeling is greater and larger than the exciting cause—a proof, I think, that man is designed for a higher state of existence;...pleasure consists in the identity of two opposite elements—that is to say, sameness and variety. If in the midst of the variety there be not some fixed... | |
 | Samuel Taylor Coleridge, Thomas Ashe - 1911 - 460 páginas
...proportion. Every human feeling is greater and larger than the exciting cause, — a proof, I think, that man is designed for a higher state of existence...regard to works in all the branches of the fine arts, [ may remark that the pleasure arising from novelty must of course be allowed its due place and weight.... | |
 | Pia-Elisabeth Leuschner - 2000 - 286 páginas
...[...]. Every human feeling is greater and larger than the excinng cause, - a proof, I think, that a man is designed for a higher state of existence, and...something more and beyond the immediate expression." („On Poetry or Art", In: ders.: Literary Remains (Anm. 279) S. 228). 4'° Novalis: Schriften (Anm.... | |
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Its first delightfulness is simple accordance with the ear; but it is an associated thing, and recalls the deep emotions of the past with an intellectual sense of proportion. Every human feeling is greater and .! larger than the exciting cause, — a... 
