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" Time drives the flocks from field to fold, When Rivers rage, and Rocks grow cold, And Philomel becometh dumb, The rest complains of cares to come. The flowers do fade, and wanton fields, To wayward winter reckoning yields, A honey tongue, a heart of gall,... "
Specimens of the Early English Poets: To which is Prefixed an Historical ... - Página 220
de George Ellis - 1803 - 458 páginas
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The Compleat Angler

Izaak Walton, Charles Cotton - 1863 - 372 páginas
...field to fold, When rivers rage and rocks grow cold ; Then Philomel becometh dumb, And age complains of cares to come. The flowers do fade, and wanton fields To wayward winter reckoning yields. A honey tongne, a heart of gall, Is fancy's spring, bnt sorrow's fall. Thy gowns, thy shoes, thy beds of roses,...
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Early English poems, Chaucer to Pope

English poems - 1863 - 364 páginas
...And truth in every shepherd's tongue, These pretty pleasures might me move To live with thee, and he thy love. Time drives the flocks from field to fold, When rivers rage and rocks grow cold ; ' To " The Passionate Shepherd to his Love," by Christopher Marlow. 'IF ALL THE WOKLD AND LO\ K WERE...
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The Country and the City

Raymond Williams - 1975 - 356 páginas
...Raleigh's to Marlowe: the relentless intrusion of time on that endless neo-pastoral May: But Time drives flocks from field to fold, When rivers rage and rocks grow cold. Had joys no date, nor age no need, the pastoral appeal would convince. What is then interesting is...
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Andrew Marvell

R. Wilcher - 1985 - 214 páginas
...young, And truth in every Shepherd's tongue, These pretty pleasures might me move, To live with thee, and be thy love. Time drives the flocks from field...Rocks grow cold, And Philomel becometh dumb, The rest complains of cares to come. But could youth last, and love still breed, Had joys no date, nor age no...
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A Book of Love Poetry

Jon Stallworthy - 1986 - 422 páginas
...shepherd's tongue, These pretty pleasures might me move To live with thee and be thy Love. But Time drives flocks from field to fold; When rivers rage and rocks grow cold; And Philomel becometh dumb; The rest complains of cares to come. The flowers do fade, and wanton fields To wayward Winter reckoning yields:...
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Post-structuralist Readings of English Poetry

Richard Machin, Christopher Norris - 1987 - 422 páginas
...line) is only the more forceful when we remind ourselves that these lines are preceded by the lines, "The flowers do fade, and wanton fields / To wayward winter reckoning yields." The unpredictability and indiscriminacy of unlimited fertility turn into the unpredictability and indiscriminacy...
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Rival Playwrights: Marlowe, Jonson, Shakespeare

James Shapiro - 1991 - 234 páginas
...shepherd's tongue, These pretty pleasure might me move To live with thee and be thy love. But Time drives flocks from field to fold, When rivers rage and rocks grow cold, And Philomel becometh dumb; The rest complains of cares to come. The flowers do fade, and wanton fields To wayward winter reckoning yields;...
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The Subtext of Form in the English Renaissance: Proportion Poetical

229 páginas
...young, And truth in every Sheepheards tongue, These pretty pleasures might me move, To live with thee, and be thy love. Time drives the flocks from field...to fold, When Rivers rage, and Rocks grow cold, And Philomell becommeth dombe, The rest complaines of cares to come. The flowers doe fade, & wanton fieldes,...
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The Columbia Anthology of British Poetry

Carl R. Woodring, James Shapiro - 1995 - 936 páginas
...young, And truth in even' shepherd's tongue, These pretty pleasures might me move, To live with thee, and be thy love. Time drives the flocks from field...rocks grow cold, And Philomel becometh dumb; The rest complains of cares to come. The flowers do fade, and wanton fields, To wayward winter reckoning yields;...
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Passion Made Public: Elizabethan Lyric, Gender, and Performance

Diana E. Henderson - 1995 - 304 páginas
...yeeldes" (9-10). Her description is not merely possible but inevitable in the temporal world of events: "Time drives the flocks from field to fold, / When Rivers rage, and Rocks grow cold" (5-6). Ralegh's "anti-lyric" follows Marlowe's form throughout, even in his final stanza's recognition...
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