I ask not for the great, the remote, the romantic ; what is doing in Italy or Arabia; what is Greek art, or Provenqal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low. Nature; Addresses, and Lectures - Página 106de Ralph Waldo Emerson - 1849 - 383 páginasVisualização completa - Sobre este livro
| Paul Scott Derrick, Paul Scott - 2003 - 162 páginas
...remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; 1 embrace the common, I explore and sit at the feet of the familiar, the low. [...] show me the sublime presence of the highest spiritual cause lurking, as it always does lurk,... | |
| Walter Jost - 2004 - 376 páginas
...a question we need to read as a commentary on Emerson's familiar lines from "The American Scholar": "I embrace the common, I explore and sit at the feet of the familiar, the low."10 When we learn in the Investigations that "philosophy simply puts everything before us, and... | |
| Patrick J. Keane - 2005 - 575 páginas
...despite the elitist brushing aside of the "poor and the low," he can also declare in this same essay, "I embrace the common, I explore and sit at the feet of the familiar, the low" (E&L 68-69). We associate this mental republicanism, or potential natural aristocracy of every man,... | |
| Joseph Horowitz - 2005 - 664 páginas
...feet; we will work with our own hands; we will speak our own minds." In the same breath, Emerson wrote, "I embrace the common, I explore and sit at the feet of the familiar, the low." His soulmate Thoreau, in a passage of which Ives was fond, echoed, "Natural objects and phenomena are... | |
| Orison Swett Marden - 2006 - 553 páginas
...his own : He who, secure within himself can say, To-morrow do thy worst, for I have lived to-day." Give me insight into to-day, and you may have the antique and fnture worlds. — EMKKSON. "Just to fill the hour, that is happiness." " Happy then is the man who... | |
| Martin Lefebvre - 2006 - 396 páginas
...what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the common, o I explore and sit at the feet of the familiar, the low." And, in 1845, when c Henry David Thoreau leaves the city for the wilderness, he finds refuge in a small... | |
| Robert Baron, Nick Spitzer - 2010 - 399 páginas
..."American Scholar" speech of 1836. Says Emerson: I ask not for the great, the remote, the romantic; ... I embrace the common, I explore and sit at the feet...have the antique and future worlds. What would we know the meaning of? The meal in the firkin; the milk in the pan; the ballad in the street; the news... | |
| Willa Cather - 2007 - 316 páginas
...great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the common, I explore and sit...to-day, and you may have the antique and future worlds" (Writings 61). 216 Henrietta Street: Just west of Covent Garden Market and very near 34 to the Duke... | |
| Katherine Ball Ross - 2007 - 336 páginas
...read by Ralph Waldo Emerson, he had called for a new approach to American literature: "What would we know the meaning of? The meal in the firkin, the milk in the pan!" Only when I found Sarah Orne Jewett did I think I knew what he meant. What her stories suggested to... | |
| Erik Kolbell - 2008 - 158 páginas
...streets that most stories emanate and receive their wings. As Emerson wrote about his populist muse, "I embrace the common, I explore and sit at the feet...today, and you may have the antique and future worlds." Such was the case a number of years ago, in the small Nicaraguan city of Tipitapa, as I sat at the... | |
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