 O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's...  The Dramatic Works - Página 426de William Shakespeare - 1831Visualização completa - Sobre este livro
 | Daniel N. Robinson - 1995 - 390 páginas
...of the jaw, Darwin finds support from a judge possessing "wonderful knowledge of the human mind." 7 Is it not monstrous that this player here, But in...force his soul so to his own conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in's aspect, A broken voice, and his... | |
 | Pauline Kiernan - 1998 - 236 páginas
...HAMLET 'Is it not monstrous', Hamlet asks, that it is the fictitiousness of drama which compels belief? O what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect,... | |
 | Richard Halpern - 1997 - 308 páginas
...player recites a speech about the death of Priam, prompting one of Hamlet's notorious soliloquies: O, what a rogue and peasant slave am I! Is it not...force his soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his... | |
 | Moses Mendelssohn - 1997 - 370 páginas
...that Shakespeare is able to draw from these common circumstances - the Prince speaks with himself: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect,... | |
 | Charles Segal - 1997 - 446 páginas
...ii ""£•• / • •«*• <• •••• / •••• Metatragedy: Art, Illusion, Imitation Is it not monstrous that this player here, But in...force his soul so to his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole... | |
 | Elena Alexander, Douglas Dunn - 1998 - 204 páginas
...through this routine, and I am now thinking . . . No, I will let you in on what Hamlet is thinking: Is it not monstrous that this player here, But in...force his soul so to his own conceit That from her working all his visage wanned. Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | William Shakespeare - 1999 - 324 páginas
...FJsinore. ROSENCRANTZ Good my lord. 500 Exeunt Rosencrantz and Guildenstern HAMLET Ay so, God bye to you. Now I am alone. O what a rogue and peasant slave...passion, Could force his soul so to his own conceit 505 That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken... | |
 | Stephen Orgel, Sean Keilen - 1999 - 356 páginas
...been so eager for a passionate speech is yet surprised when it comes and when it seizes the player: O, what a rogue and peasant slave am I! Is it not...force his soul so to his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | Tom Lutz - 2001 - 358 páginas
...dramatic art and the riddle of human empathy as well, in one of the play's best-known soliloquies: O what a rogue and peasant slave am I! Is it not monstrous...force his soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his... | |
 | Joan Ackermann - 1999 - 60 páginas
...a slice of pizza in it is on the passenger seat. GABE. Now I am alone. O, what a rogue and pleasant slave am I! Is it not monstrous that this player here,...force his soul so to his own conceit That from her working all his visage waned, Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
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