 O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's...  The Dramatic Works - Página 426de William Shakespeare - 1831Visualização completa - Sobre este livro
 | William Shakespeare, John William Stanhope Hows - 1864 - 498 páginas
...welcome to Elsinore. Ros. Good my lord. [Exeunt ROSENCRANTZ and GUILDENSTEKII. Ham. Ay, so, heaven be wi' you : — Now I am alone. O, what a rogue and...force his soul so to his own conceit, That from her working all his visage wann'd ; Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | Thomas Carlyle - 1864 - 352 páginas
...royal monologue is that, which ends the second act ! How charming it will be to speak it ! " 0 what a rogue and peasant slave am I ! Is it not monstrous...force his soul so to his own conceit, That from her working all his visage wann'd ; Tears iu his eyes, distraction in his aspect, A broken voice, and his... | |
 | William Shakespeare - 1864 - 868 páginas
...— [Exeunt RosEsrcBANTZ and GUILDKNSTKRN. Now I am alono. О, what a rogue and peasant slave am 1 1 o the monster to stint his riofht. ь I ha« no long...; — Amen !" I will pour some in thy other mouth working, all his visage wann'd :f Tears in his eyes, distraction in 's aspect, A broken voice, and... | |
 | esq Henry Jenkins - 1864 - 800 páginas
...but mad north-north-west ; when the wind is southerly, I know a hawk from a handsaw. — Id. Samlet. Is it not monstrous that this player here, But in...force his soul so to his own conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his... | |
 | Murray Cox - 1992 - 312 páginas
...the exchanges with Rosencrantz and Gildenstern were quite potent there. This speech was amazing too: 'O what a rogue and peasant slave am I! Is it not...force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | Lars Engle - 1993 - 284 páginas
...incapacity to force his soul to his conceit. This particular case deserves more detailed discussion. O what a rogue and peasant slave am I! Is it not monstrous...force his soul so to his own conceit That from her working all his visage wann'd. Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | Meredith Anne Skura - 1993 - 348 páginas
...legitimate. Hamlet, even while being affected by the performance, condemns the player's perverse achievement: Is it not monstrous that this player here, But in...force his soul so to his own conceit That from her working all his visage wann'd; Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | Richard Courtney - 1995 - 274 páginas
...and the tragedy is back on course. "Now I am alone," says Hamlet. It is a long time since he was so. O, what a rogue and peasant slave am I! Is it not...force his soul so to his own conceit That from her working all his visage wanned ... (546-551) "This player here": Burbage gestures to where he has performed.... | |
 | William Shakespeare - 1995 - 136 páginas
...own self be true, And it must follow as the night the day Thou canst not then be false to any man. 19 O, what a rogue and peasant slave am I! Is it not...force his soul so to his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
 | Herbert R. Coursen - 1995 - 314 páginas
...conscious and unconscious mind. (19) Mazer quotes Hamlet's response to the Player's Hecuba Speech: Is it not monstrous that this player here, But in...force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his... | |
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