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" Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then, the justice, In fair round belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances... "
The Dramatic Works of W. Shakespeare - Página 208
de William Shakespeare - 1849 - 925 páginas
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Shakespeare Survey, Volume 37

Stanley Wells - 2002 - 240 páginas
...age', his broken voice should remind us of a similar description in Jaques's seven 'ages': The sixt age shifts Into the lean and slipper'd pantaloon,...childish treble, pipes And whistles in his sound. (As You Like It, 2.7.157-63) Can Falstaffs broken voice be anything but this?8 He may seem older in...
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Three Faces of Power

Kenneth E. Boulding - 1990 - 264 páginas
...societies escaped. POWER IN OLD AGE Shakespeare's view of old age is not particularly attractive. "The sixth age shifts / Into the lean and slipper'd pantaloon,...childish treble, pipes / And whistles in his sound." Respect for age, and the power, therefore, that age may give, varies from one society to another. Even...
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An Audition Handbook of Great Speeches

Jerry Blunt - 1990 - 207 páginas
...of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age sifts Into the lean and slipper'd pantaloon, With spectacles...whistles in his sound. Last scene of all, That ends this strange eventual history, Is second childishness and mere oblivion — Sans teeth, sans eyes, sans...
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Respectfully Quoted: A Dictionary of Quotations

Suzy Platt - 1993 - 520 páginas
...And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon [dotard], With spectacles on nose and pouch on side, His youthful...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,...
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On Time

Joy Chaitin, Sarah Stevens-Estabrook - 1995 - 46 páginas
...belly with good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,...
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Necessary Losses: The Loves Illusions Dependencies and Impossible Ex

Judith Viorst - 2010 - 448 páginas
...belly, with good capon lin'd. With eyes severe, and beard of formal cut, Full of wise saws and modern instances. And so he plays his part: The sixth age...whistles in his sound: Last scene of all, That ends this strange eventful history. Is second childishness, and mere oblivion; Sans teeth, sans eyes, sans taste,...
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A Genealogy of Manners: Transformations of Social Relations in France and ...

Jorge Arditi - 1998 - 312 páginas
...belly with good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste,...
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Communication: An Introduction

Karl Erik Rosengren - 2000 - 219 páginas
...belly with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age...whistles in his sound. Last scene of all That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,...
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Innovation in Human Resource Management: Tooling Up for the Talent Wars

Alec Reed - 2001 - 140 páginas
...belly with good capon lin'd, With eye severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; THE CASE STUDIES Research for this...
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Shakespeare: la invención de lo humano

Harold Bloom - 2001 - 734 páginas
...with good capon lin'd, / With eyes severe, and beard of formal cut, / Full of wise saws, and modern instances, /And so he plays his part. The sixth age...again toward childish treble, pipes / And whistles in hissonnd. Lastscene ofall, /Thatends this strange eventfnl history, / Is second childdisness and mere...
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