 Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then, the justice, In fair round belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances...  The Dramatic Works of W. Shakespeare - Página 210de William Shakespeare - 1849 - 925 páginasVisualização completa - Sobre este livro
 | William Shakespeare - 1853 - 444 páginas
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws, and modern instances, And so he plays his part : The sixth age...shrunk shank ; and his big manly voice, Turning again towards childish treble, pipes And whistles in the sound: Last scene of all, That ends this strange... | |
 | Carl August Friedrich Mahn - 1855 - 310 páginas
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part: The sixth age...shank; and his big manly voice, Turning again toward cbildish treble, pipes And whistles in his sound: Last scene of all, That ends this strange eventful... | |
 | William Shakespeare - 1856 - 1000 páginas
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws andmodernt air ; O, she would laugh me Out of myself, press me...mocks ; Which is as bad as die wijh tickling. Urs. strange eventful history, Is second childishness, and mere oblivion ; Sans U'eth, sans eyes, sans taste,... | |
 | William Shakespeare - 1857 - 710 páginas
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part : The sixth age...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare, Richard Grant White - 1857 - 520 páginas
...belly with good capon lin'd ; With eyes severe and beard of formal cut, Full of wise saws and modern instances, — And so he plays his part : The sixth...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1857 - 488 páginas
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1858 - 740 páginas
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances * ; And so he plays his part. The sixth...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1859 - 790 páginas
...belly with good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion, Suns teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1859 - 722 páginas
...capon lin'd, With eyes severe , and beard of formal cut , 38 Full of wise saws and modern instances, 39 And so he plays his part The sixth age shifts Into...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness , and mere oblivion ; Sans*1 teeth, sans eyes, sans... | |
 | William Shakespeare - 1860 - 792 páginas
...belly with good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
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