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" But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a creature Moving about in worlds not realized, High instincts before which our mortal nature Did tremble like a guilty thing surprised... "
The Friend: A Series of Essays, in Three Volumes, to Aid in the Formation of ... - Página 243
de Samuel Taylor Coleridge - 1818 - 375 páginas
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Textual Practice 10.3, Volume 10,Edição 3

Alan Sinfield - 1996 - 172 páginas
...Oxford, re infecta'" This second sentence refers perhaps almost playfully to the Immortality OdeHigh instincts before which our mortal Nature Did tremble like a guilty Thing surprized reinforcing the sense of De Quincey as a child about to be discovered by its father in the commission...
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Romanticism and the Androgynous Sublime

Warren Stevenson - 1996 - 166 páginas
...immediately follows an admonitory passage Blank misgivings of a Creature Moving about in worlds not realised, High instincts before which our mortal Nature Did tremble like a guilty Thing surprised: (148-51) but also in the sequel (to be discussed presently), which concludes what is easily...
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Wordsworth’s Profession: Form, Class, and the Logic of Early Romantic ...

Thomas Pfau - 1997 - 478 páginas
...recovered in images of reflexive imprisonment ("A creature / Moving about in worlds not realiz'd,/ High instincts, before which our mortal Nature /Did tremble like a guilty Thing surpriz'd," ll. 147-50). Wordsworth's lyric re-creation of capitalist and modernist Weltschmerz —...
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Light-Gathering Poems

Liz Rosenberg - 2000 - 168 páginas
...obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realized, High...our mortal Nature Did tremble like a guilty Thing surprised; But for those first affections, Those shadowy recollections, Which, be they what they may,...
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The Search for the Secure Base: Attachment Theory and Psychotherapy

Jeremy Holmes - 2001 - 202 páginas
...obstinate questionings Of sense and outward things Fallings from us, vanishings; Blank misgivings of a creature Moving about in worlds not realized, High...our mortal nature Did tremble like a guilty thing surprised. It is only because we know that joy is transient, because, unlike the lambs and other animals,...
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Philosophical and Theological Opinions

Samuel Taylor Coleridge - 2001 - 552 páginas
...obstinate questionings Of sense and outward things, Fallings from us, vanishings ; Blank misgivings of a creature Moving about in worlds not realized, High...our mortal nature Did tremble like a guilty thing surprised ! But for those first affections, Those shadowy recollections, Which, be they what they may,...
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The Seven Sins of Memory: How the Mind Forgets and Remembers

Daniel L. Schacter - 2002 - 289 páginas
...more." He celebrated the importance of the faint echoes that remained from his ever-receding past: But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain-light of all of our day, Are yet a master-light of all of our seeing. 2 The Sin of...
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Sight & Sound: Naturbilder in der englischen und amerikanischen Romantik

Frank Mehring - 2001 - 194 páginas
...intuitiv-visionären Wirklichkeitserfahrung erreichen und die daraus gewonnene Kraft produktiv nutzen kann. But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain-light of all our day. 243 Die anfanglich dargestellte Erfüllung der Natur mit einem...
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Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions

Samuel Taylor Coleridge - 1834 - 754 páginas
...obstinate questionings Of sense and outward things, Fallings from us, vanishings ; Blank misgivings of a Creature Moving about in worlds not realized, High instincts, before which our moral Nature Did tremble like a guilty Thing surprised 1 But for those first affections, Those shadowy...
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Wordsworth in His Major Lyrics: The Art and Psychology of Self-representation

Leon Waldoff - 2001 - 192 páginas
...Aesthetics, especially 23—42). see this particularly in the image of fear, guilt, and power in the lines "High instincts before which our mortal Nature / Did tremble like a guilty Thing surprised" (147—48). Anne Williams finds a Miltonic echo in these lines, recalling the way Adam and...
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