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" O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion... "
Stokes' Encyclopedia of Familiar Quotations: Containing Five Thousand ... - Página 307
1906 - 763 páginas
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The book of recitations [ed.] by C.W. Smith

Charles William Smith (professor of elocution.) - 1857 - 338 páginas
...HAMLET'S SOLILOQUY ON HIS IRRESOLUTION. Hamlet. Now I am alone. Oh, what a rogue and peasant slave am I ! Is it not monstrous that this player here, But in...a dream of passion, Could force his soul so to his whole conceit, That from her working, all his visage warmed ; Tears in his eyes, distraction in ' s...
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Shakespeare's Comedies, Histories, Tragedies, and Poems, Volume 5

William Shakespeare - 1858 - 752 páginas
...GUILDENSTERN. Ham. Ayr so, good bye you. — Now I-am alone. Oh, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...own conceit, That, from her working, all his visage wann'd 4 ; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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The Collected Works of Thomas Carlyle: Life of Friedrich Schiller (1825 ...

Thomas Carlyle - 1858 - 348 páginas
...ends the second act ! How charming it will be to speak it ! " 0 what a rogue and peasant slave am I ! Is it not monstrous that this player here, But in...in a dream of passion, Could force his soul so to bis own conceit, That from her working all his visage wann'd ; Tears in his eyes, distraction in his...
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The Plays of Shakespeare with the Poems, Volume 3

William Shakespeare - 1860 - 834 páginas
...— [Ertunt ROSENCBANTZ and GUILDENBTEHN. Now I am alone. O, what a rogue and peasant slave am I ! gՆ c eK 6 .S ] G r/_ XV w A wann'd :^ Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...
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The Plays of Shakespeare, Volume 3

William Shakespeare - 1860 - 838 páginas
...— [Exeunt ROSENCHANTZ and GUILDENSTF.BN. Now I am alone. O, what a rogue and peasant slave am I ! ll be so ! it shall be so ! let him away ! He's biinish'd,...common friends, — Sic. He's sentenc'd ; no more hear wann'd :f Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...
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The plays (poems) of Shakespeare, ed. by H. Staunton ..., Parte 170,Volume 3

William Shakespeare - 1860 - 834 páginas
...— [Exeunt ROSENCRANTZ and GUILDENSTEHN. Now I am alone. O, what a rogue and peasant slave am I ! h one auspicious and one wann'd :f Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...
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The Plays of Shakespeare, Volume 3

William Shakespeare - 1860 - 836 páginas
...[Exeunt KOSENCKANTZ and GUH.DENSTF.HN. Now I am alone. O, what a rogue and peasant slave am I ! 1ч LEAR. Nothing : I have sworn ; I am firm. BUR. I am sorry, then, you have so lost wann'd :f Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...
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Hamlet

William Shakespeare - 1999 - 324 páginas
...Guildenstern HAMLET Ay so, God bye to you. Now I am alone. O what a rogue and peasant slave am I ! Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit 505 That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken...
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The Cinema of Tony Richardson: Essays and Interviews

James M. Welsh, John C. Tibbetts, Professor John C Tibbetts - 1999 - 320 páginas
...of passion; Could force his soul so to her own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect, A broken...forms to his conceit? and all for nothing! For Hecuba! The vital yet often marginalized role of the Player, is essential if the dramatic irony of Hamlet's...
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The Cue for Passion: Grief and Its Political Uses

Gail Holst-Warhaft - 2000 - 252 páginas
...225 The Cue for Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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