Nature, Addresses, and Lectures |
De dentro do livro
Resultados 6-10 de 59
Página 34
... who have only what is necessary , converse in figures . As we go back in
history , language becomes more picturesque , until its infancy , when it is all
poetry ; or all spiritual facts are represented by natural symbols . The same
symbols are ...
... who have only what is necessary , converse in figures . As we go back in
history , language becomes more picturesque , until its infancy , when it is all
poetry ; or all spiritual facts are represented by natural symbols . The same
symbols are ...
Página 37
The poet , the orator , bred in the woods , whose senses have been nourished by
their fair and appeasing changes , year after year , without design and without
heed , — shall not lose their lesson altogether , in the roar of cities or the broil of ...
The poet , the orator , bred in the woods , whose senses have been nourished by
their fair and appeasing changes , year after year , without design and without
heed , — shall not lose their lesson altogether , in the roar of cities or the broil of ...
Página 39
This relation between the mind and matter is not fancied by some poet , but
stands in the will of God , and so is free to be known by all men . It appears to
men , or it does not appear . When in fortunate hours we ponder this miracle , the
wise ...
This relation between the mind and matter is not fancied by some poet , but
stands in the will of God , and so is free to be known by all men . It appears to
men , or it does not appear . When in fortunate hours we ponder this miracle , the
wise ...
Página 56
In a higher manner the poet communicates the same pleasure . By a few strokes
he delineates , as on air , the sun , the mountain , the camp , the city , the hero ,
the maiden , not different from what we know them , but only lifted from the
ground ...
In a higher manner the poet communicates the same pleasure . By a few strokes
he delineates , as on air , the sun , the mountain , the camp , the city , the hero ,
the maiden , not different from what we know them , but only lifted from the
ground ...
Página 57
Shakspeare possesses the power of subordinating nature for the purposes of
expression , beyond all poets . ... are made aware that magnitude of material
things is relative , and all objects shrink and expand to serve the passion of the
poet .
Shakspeare possesses the power of subordinating nature for the purposes of
expression , beyond all poets . ... are made aware that magnitude of material
things is relative , and all objects shrink and expand to serve the passion of the
poet .
O que estão dizendo - Escrever uma resenha
Não encontramos nenhuma resenha nos lugares comuns.
Outras edições - Visualizar todos
Termos e frases comuns
action affections American appear beauty becomes behold believe better body born cause character church comes common difference divine earth exist experience face fact faith fear feel force genius give hands heart heaven hold hope hour human idea individual labor land language leaves less light live look manner matter means mind moral nature never noble objects once pass perfect persons philosophy plant poet poor present question reason reform relation religion respect rich scholar seems seen sense sentiment serve side society soul speak spirit stand stars things thought tion trade true truth turn understanding universal virtue whilst whole wish young
Passagens mais conhecidas
Página 21 - Give me health and a day, and I will make the pomp of emperors ridiculous. The dawn is my Assyria; the sunset and moonrise my Paphos, and unimaginable realms of faerie; broad noon shall be my England of the senses and the understanding; the night shall be my Germany of mystic philosophy and dreams.
Página 7 - Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of...
Página 108 - I ask not for the great, the remote, the romantic • what is doing in Italy or Arabia ; what is Greek art, or Proven§al minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low.
Página 29 - Every word which is used to express a moral or intellectual fact, if traced to its root, is found to be borrowed from some material appearance. Right means straight; wrong means twisted. Spirit primarily means wind; transgression, the crossing of a line; supercilious, the raising of the eyebrow.
Página 128 - That is always best which gives me to myself. The sublime is excited in me by the great stoical doctrine, Obey thyself. That which shows God in me, fortifies me. That which shows God out of me, makes me a wart and a wen.
Página 28 - The world thus exists to the soul to satisfy the desire of beauty. Extend this element to the uttermost, and I call it an ultimate end. No reason can be asked or given why the soul seeks beauty. Beauty, in its largest and profoundest sense, is one expression for the universe. God is the all-fair. Truth, and goodness, and beauty, are but different faces of the same All.
Página 66 - Once inhale the upper air, being admitted to behold the absolute natures of justice and truth, and we learn that man has access to the entire mind of the Creator, is himself the creator in the finite. This view, which admonishes me where the sources of wisdom and power lie, and points to virtue as to " The golden key Which opes the palace of eternity...
Página 34 - A man conversing in earnest, if he watch his intellectual processes, will find that a material image, more or less luminous, arises in his mind, cotemporaneous with every thought, which furnishes the vestment of the thought. Hence, good writing and brilliant discourse are perpetual allegories.
Página 66 - As a plant upon the earth, so a man rests upon the bosom of God, he is nourished by unfailing fountains, and draws, at his need, inexhaustible power Who can set bounds to the possibilities of man?
Página 26 - The intellect searches out the absolute order of things as they stand in the mind of God, and without the colors of affection...
Informações bibliográficas
| Título | Nature, Addresses, and Lectures |
| Autor | Ralph Waldo Emerson |
| Edição | reimpressão |
| Editora | Houghton, Mifflin & Company, 1883 |
| Original de | Harvard University |
| Digitalizado | 15 nov. 2007 |
| Num. págs. | 372 páginas |
| Exportar citação | BiBTeX EndNote RefMan |