The Routledge Reader in Gender and PerformanceLizbeth Goodman, Jane de Gay Routledge, 31.01.2002 - 360 Seiten The Routledge Reader in Gender and Performance presents the most influential and widely-known, critical work on gender and performing arts, together with exciting and provocative new writings. It provides systematically arranged articles to guide the reader from topic to topic, and specially linked articles by scholars and teachers to explain key issues and put the extracts in context. This comprehensive volume: |
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... experience in theatre to write plays (Donkin, 1995); the novel and poetry were considered more suitable media for women writers in many cultures. For the same reason, many of the plays written by women were produced and distributed ...
... experience in their choice and portrayal of roles . Women as managers In the sixteenth and seventeenth centuries , there were no women theatre managers in the modern sense of being responsible for administration and selecting plays to ...
... which women's historical contributions have remained the most obscure . Since the theatre was considered disreputable , few women were able to gain the experience in theatre to write plays ( Donkin , 1995 27 NAMING NAMES.
... experience and political interests ; along with the women actors of their time , they can be said to have paved the way for the politically feminist theatre work which was to emerge in the late 1960s . Note 1 This chapter is based on ...
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Inhalt
Alison Oddey | 116 |
Susan Melrose | 131 |
Barbara Smith | 149 |
Lesley Ferris | 165 |
Gail Finney | 182 |
Charlotte Canning | 202 |
Miki Flockemann | 218 |
Janet AdsheadLansdale | 231 |
Jean E Howard | 47 |
her Suitors Lisa Jardine from Reading Shakespeare Historically London | 60 |
Ellen Donkin | 65 |
Routledge 1995 The Social Dynamic and Respectability Tracy C | 70 |
Maggie B Gale | 80 |
Caroline Gardiner | 89 |
Jennie Long | 103 |
Alexandra Carter | 247 |
Susan Bennett | 265 |
Judith Butler | 282 |
Stephen Regan | 295 |
Index | 325 |
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The Routledge Reader in Gender and Performance Lizbeth Goodman,Jane de Gay Eingeschränkte Leseprobe - 2002 |