Workshop Receipts ...E. & F. N. Spon, 1883 |
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Página 19
... coat of the bronze will remove them . Lacquer the work with pale lacquer , or but very slightly coloured , for if it is too deep it will soon chip off . produced by leaving the layer of coloured shell on those. Another method is to mix ...
... coat of the bronze will remove them . Lacquer the work with pale lacquer , or but very slightly coloured , for if it is too deep it will soon chip off . produced by leaving the layer of coloured shell on those. Another method is to mix ...
Página 21
... coat , and will consequently be much smaller in dimensions than at first . They may now be wiped dry , slightly twisted , and passed through a hole in a piece of brass , to equalize their size ; as they dry , they are passed every two ...
... coat , and will consequently be much smaller in dimensions than at first . They may now be wiped dry , slightly twisted , and passed through a hole in a piece of brass , to equalize their size ; as they dry , they are passed every two ...
Página 55
... coat before glazing , the other coats should be put on afterwards . With crown glass , which is sometimes curved , it is usual to place the panes with the convexity outwards . When the glazier has fitted the pane to the opening with his ...
... coat before glazing , the other coats should be put on afterwards . With crown glass , which is sometimes curved , it is usual to place the panes with the convexity outwards . When the glazier has fitted the pane to the opening with his ...
Página 59
... coat of the purest mastic varnish . In colouring the pictures the quality of the light which is to show them must be borne in mind . If it be the lime light , approximate as nearly as possible to nature ; but if it be the light of an ...
... coat of the purest mastic varnish . In colouring the pictures the quality of the light which is to show them must be borne in mind . If it be the lime light , approximate as nearly as possible to nature ; but if it be the light of an ...
Página 68
... coats , letting it dry between each , being careful ( particularly in the first coat ) to bear very lightly on the brush , which should be a flat tin camel- hair . The size should flow freely from the brush , otherwise the paper , if a ...
... coats , letting it dry between each , being careful ( particularly in the first coat ) to bear very lightly on the brush , which should be a flat tin camel- hair . The size should flow freely from the brush , otherwise the paper , if a ...
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Termos e frases comuns
allowed alum ammonia antimony applied bath blue boiling borax bottle brass brush burnished calcined carbonate chloride clean cloth coat cold collodion colour cool copper covered cyanide deposit diluted dipped dissolved dried edge filter fire fustic gallons gelatine gilding glass glaze glue gold grains ground gutta-percha heat hydrochloric acid immersed inch iron leather lime linseed oil liquid liquor litharge logwood marble melted mercury metal mixed mixture mould nitrate nitrate of silver nitric acid oxide paint paper pearlash piece pint plate polish potash powder precipitate prepared pure quantity removed sal ammoniac salt seed-lac shellac soap soda soft solder solution spirits of wine stirring stone sufficient sulphate sulphuric acid surface thick thin tint tion turpentine varnish vessel warm wash white-lead wire wood yellow zinc
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