A General View of the Fine Arts, Critical and HistoricalG. P. Putnam, 1851 - 477 páginas |
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Página 74
... became the patron of art in other kingdoms . All the principal works of art of this reign , have per- ished ; those that were not buried under the ruins of the edifices themselves , having been destroyed by time and the elements . Το ...
... became the patron of art in other kingdoms . All the principal works of art of this reign , have per- ished ; those that were not buried under the ruins of the edifices themselves , having been destroyed by time and the elements . Το ...
Página 88
... became acquainted with Raphael , who instructed him in colouring , for which he received in return some lessons in perspective . Soon after this he went to Rome , where the works of Michael Angelo and Raphael both astonished and ...
... became acquainted with Raphael , who instructed him in colouring , for which he received in return some lessons in perspective . Soon after this he went to Rome , where the works of Michael Angelo and Raphael both astonished and ...
Página 94
... became the pupil of Perugino , In this school he studied with indefatigable diligence , and imitated his master so closely that their works could hardly be distinguished , the one from the other ; a circumstance , however , which only ...
... became the pupil of Perugino , In this school he studied with indefatigable diligence , and imitated his master so closely that their works could hardly be distinguished , the one from the other ; a circumstance , however , which only ...
Página 95
... became original , and truly his own ; not the vehicle of those awe - creating and terrific energies , conceived only by Michael Angelo , nor of the more exquisite beauty and elevated refinement of the antique , but the medium of natural ...
... became original , and truly his own ; not the vehicle of those awe - creating and terrific energies , conceived only by Michael Angelo , nor of the more exquisite beauty and elevated refinement of the antique , but the medium of natural ...
Página 100
... became the successful rival of Giorgione . The style of Titian may be divided into three periods : when he copied ; when he imitated ; when he strove to generalize , to elevate , or invigorate the tones of nature . The first is anxious ...
... became the successful rival of Giorgione . The style of Titian may be divided into three periods : when he copied ; when he imitated ; when he strove to generalize , to elevate , or invigorate the tones of nature . The first is anxious ...
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Termos e frases comuns
Academy admiration alto-relievo ancient antique Apelles appears architecture artist beauty born called celebrated century character chiaroscuro church Cimabue colossal colour columns composed composition copy Coreggio delight distinguished Doric order drapery drawing effect Egyptian elegance eminent England entablature equal Etruscan excellence executed exhibited expression father feeling feet figures finished gallery gave genius Giorgione grace grandeur Grecian Greece Greeks hand harmony head historical honour imagination imitation invention Italian Italy king landscape light look Lysippus manner marble masters merit Michael Angelo mind modern nature never objects opera original ornament painter painting palace Pamphylus Paul Veronese pencil perfect Phidias picture poet poetry portrait practised Praxiteles principles produced Pythagoras Raphael Rembrandt represented Reynolds Roman Rome says scene sculpture seems Sicyon sketches spirit statues style sublime talents taste temple Terpander thing Timanthes Tintoretto tion Titian touch Venetian school West whole
Passagens mais conhecidas
Página 25 - The stars of midnight shall be dear To her; and she shall lean her ear In many a secret place Where rivulets dance their wayward round, And beauty born of murmuring sound Shall pass into her face.
Página 307 - Peace, peace ! he is not dead, he doth not sleep ! He hath awakened from the dream of life. 'Tis we who, lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance strike with our spirit's knife Invulnerable nothings.
Página 26 - own exceeding great reward;' it has soothed my afflictions; it has multiplied and refined my enjoyments ; it has endeared solitude ; and it has given me the habit of wishing to discover the good and the beautiful in all that meets and surrounds me.
Página 23 - Delightful Scenes, whether in Nature, Painting, or Poetry, have a kindly Influence on the Body, as well as the Mind, and not only serve to clear and brighten the Imagination, but are able to disperse Grief and Melancholy, and to set the Animal Spirits in pleasing and agreeable Motions.
Página 25 - And hers shall be the breathing balm, And hers the silence and the calm Of mute insensate things.
Página 456 - ... made ; Those are pearls that were his eyes : Nothing of him that doth fade, But doth suffer a sea-change Into something rich and strange.
Página 471 - The chorus in which that opera abounds gives the parterre frequent opportunities of joining in concert with the stage. This inclination of the audience to sing along with the actors, so prevails with them, that I have sometimes known the performer on the stage do no more in a celebrated song, than the clerk of a parish church, who serves only to raise the psalm, and is afterwards drowned in the music of the congregation.
Página 456 - full of noises, Sounds, and sweet airs, that give delight, and hurt not.
Página 154 - I have endeavoured to treat my subjects as a dramatic writer ; my picture is my stage, my men and women my players, who, by means of certain actions and gestures, are to exhibit a dumb show.
Página 170 - We are all going to Heaven, and Vandyke is of the company.