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By the banks of that lake, with his only beloved, For which Solomon's self might have given all
He saw, in the wreaths she would playfully snatch
From the hedges, a glory his crown could not
match,

And preferred in his heart the least ringlet that curled

Down her exquisite neck to the throne of the world!

There's a beauty, forever unchangingly bright, Like the long sunny lapse of a summer's day's light, Shining on, shining on, by no shadow made tender, Till love falls asleep in its sameness of splendor. This was not the beauty, O, nothing like this, That to young Nourmahal gave such magic of bliss, But that loveliness, ever in motion, which plays Like the light upon autumn's soft shadowy days, Now here and now there, giving warmth as it flies From the lips to the cheek, from the cheek to the

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That the navy from Ophir e'er winged to his shore, Yet dim before her were the smiles of them all, And the Light of his Harem was young Nourmahal!

MEETING.

THOMAS MOORE

THE gray sea, and the long black land;
And the yellow half-moon large and low;
And the startled little waves, that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed in the slushy sand.

Then a mile of warm, sea-scented beach;
Three fields to cross, till a farm appears:
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through its joys and fears,
Than the two hearts, beating each to each.

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86

But, O the change! The winds grow high,
Impending tempests charge the sky,
The lightning flies, the thunder roars,
The big waves lash the frightened shores.
Struck with the horror of the sight,
She turns her head and wings her flight;
And, trembling, vows she 'll ne'er again
Approach the shore or view the main.

"Once more at least look back," said I, "Thyself in that large glass descry: When thou art in good humor drest, When gentle reason rules thy breast, The sun upon the calmest sea Appears not half so bright as thee: "T is then that with delight I rove Upon the boundless depth of love : I bless my chain, I hand my oar, Nor think on all I left on shore.

"But when vain doubt and groundless fear
Do that dear foolish bosom tear;
When the big lip and watery eye
Tell me the rising storm is nigh;
"T is then thou art yon angry main
Deformed by winds and dashed by rain;
And the poor sailor that must try
Its fury labors less than I.
Shipwrecked, in vain to land I make,
While love and fate still drive me back :
Forced to dote on thee thy own way,
I chide thee first, and then obey:

Dark was her hair; her hand was white;
Her voice was exquisitely tender;
Her eyes were full of liquid light;
I never saw a waist so slender;
Her every look, her every smile,

Shot right and left a score of arrows :
I thought 't was Venus from her isle,
And wondered where she'd left her sparrows

She talked of politics or prayers,

Of Southey's prose or Wordsworth's sonnets, Of danglers or of dancing bears,

Of battles or the last new bonnets;
By candle-light, at twelve o'clock,
To me it mattered not a tittle,

If those bright lips had quoted Locke,

I might have thought they murmured Little.

Through sunny May, through sultry June, I loved her with a love eternal;

I spoke her praises to the moon,

I wrote them to the Sunday Journal. My mother laughed; I soon found out That ancient ladies have no feeling: My father frowned; but how should gout See any happiness in kneeling?

She was the daughter of a dean,

Rich, fat, and rather apoplectic; She had one brother just thirteen,

Whose color was extremely hectic; Her grandmother for many a year,

Had fed the parish with her bounty;

Wretched when from thee, vexed when nigh, Her second cousin was a peer,

I with thee, or without thee, die."

MATTHEW PRIOR.

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And lord-lieutenant of the county.

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Soft songs to Julia's cockatoo,

Fierce odes to famine and to slaughter,

And autographs of Prince Leeboo,

And recipes for elder water.

And she was flattered, worshipped, bored ;

Her steps were watched, her dress was noted; Her poodle-dog was quite adored;

Her sayings were extremely quoted.
She laughed, — and every heart was glad,
As if the taxes were abolished;
She frowned, and every look was sad,
As if the opera were demolished.

She smiled on many just for fun,

I knew that there was nothing in it;

I was the first, the only one,

Her heart had thought of for a minute.
I knew it, for she told me so,

In phrase which was divinely moulded;
She wrote a charming hand, — and O,
How sweetly all her notes were folded!

Our love was most like other loves,
A little glow, a little shiver,
A rosebud and a pair of gloves,

And "Fly Not Yet," upon the river; Some jealousy of some one's heir,

Some hopes of dying broken-hearted; A miniature, a lock of hair,

The usual vows, and then we parted.

:

We parted months and years rolled by ;
We met again four summers after.
Our parting was all sob and sigh,

Our meeting was all mirth and laughter! For in my heart's most secret cell

There had been many other lodgers; And she was not the ball-room's belle, But only Mrs. Something-Rogers!

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"But chiefly by his face and mien,
That were so fair to view;
His flaxen locks that sweetly curled,
And eyes of lovely blue."

"O lady, he's dead and gone!

Lady, he's dead and gone! And at his head a green grass turf,

And at his heels a stone.

"Within these holy cloisters long He languished, and he died, Lamenting of a lady's love,

And 'plaining of her pride.

"Here bore him barefaced on his bier
Six proper youths and tall,
And many a tear bedewed his grave
Within yon kirk-yard wall."

"And art thou dead, thou gentle youth?
And art thou dead and gone?
And didst thou die for love of me?
Break, cruel heart of stone!"

"O weep not, lady, weep not so;
Some ghostly comfort seek;
Let not vain sorrow rive thy heart,
Nor tears bedew thy cheek."

"O do not, do not, holy friar,

My sorrow now reprove; For I have lost the sweetest youth That e'er won lady's love.

"And now, alas! for thy sad loss

I'll evermore weep and sigh: For thee I only wished to live, For thee I wish to die."

"Weep no more, lady, weep no more, Thy sorrow is in vain ;

For violets plucked, the sweetest showers Will ne'er make grow again.

"Our joys as wingéd dreams do fly; Why then should sorrow last? Since grief but aggravates thy loss, Grieve not for what is past."

"O say not so, thou holy friar; I pray thee, say not so; For since my true-love died for me, 'Tis meet my tears should flow.

"And will he never come again? Will he ne'er come again?

Ah! no he is dead and laid in his grave, Forever to remain.

"His cheek was redder than the rose;
The comeliest youth was he!
But he is dead and laid in his grave:

Alas, and woe is me!"

"Sigh no more, lady, sigh no more,
Men were deceivers ever:
One foot on sea and one on land,

To one thing constant never.

"Hadst thou been fond, he had been false,

And left thee sad and heavy ;

For young men ever were fickle found,
Since summer trees were leafy."

"Now say not so, thou holy friar,

I

pray thee say not so;

My love he had the truest heart,

O, he was ever true!

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A Man of Cyprus, a Sculptor named Pygmalion, made an Image of a Woman, fairer than any that had yet been seen, and in the end came to love his own handiwork as though it had been alive: wherefore, praying to Venus for help, he obtained his end, for she made the Image alive indeed, and a Woman, and Pygmalion wedded her.

AT Amathus, that from the southern side
Of Cyprus looks across the Syrian sea,
There did in ancient time a man abide
Known to the island-dwellers, for that he
Had wrought most godlike works in imagery,
And day by day still greater honor won,
Which man our old books call Pygmalion.

The lessening marble that he worked upon, A woman's form now imaged doubtfully,

"And art thou dead, thou much-loved youth, And in such guise the work had he begun,

And didst thou die for me?

Then farewell home; for evermore
A pilgrim I will be.

"But first upon my true-love's grave
My weary limbs I'll lay,

And thrice I'll kiss the green-grass turf
That wraps his breathless clay."

"Yet stay, fair lady: rest awhile
Beneath this cloister wall;

Because when he the untouched block did see
In wandering veins that form there seemed to be,
Whereon he cried out in a careless mood,
"O lady Venus, make this presage good!

"And then this block of stone shall be thy maid,
And, not without rich golden ornament,
Shall bide within thy quivering myrtle-shade."
So spoke he, but the goddess, well content,
Unto his hand such godlike mastery sent,
That like the first artificer he wrought,

See through the hawthorn blows the cold wind, Who made the gift that woe to all men brought.
And drizzly rain doth fall."

"O stay me not, thou holy friar,
O stay me not, I pray;
No drizzly rain that falls on me
Can wash my fault away."

"Yet stay, fair lady, turn again,
And dry those pearly tears;
For see, beneath this gown of gray
Thy own true-love appears..

"Here forced by grief and hopeless love,
These holy weeds I sought;
And here, amid these lonely walls,
To end my days I thought.

"But haply, for my year of grace
Is not yet passed away,
Might I still hope to win thy love,

No longer would I stay."

"Now farewell grief, and welcome joy
Once more unto my heart;
For since I have found thee, lovely youth,
We nevermore will part."

Adapted by THOMAS PERCY.

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The night seemed long, and long the twilight With something like to hope, and all that day seemed,

A vain thing seemed his flowery garden fair; Though through the night still of his work he dreamed,

And though his smooth-stemmed trees so nigh it

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Some tender words he ever found to say;

And still he felt as something heard him speak;
Sometimes he praised her beauty, and sometimes
Reproached her in a feeble voice and weak,
And at the last drew forth a book of rhymes,
Wherein were writ the tales of many climes,
And read aloud the sweetness hid therein
Of lovers' sorrows and their tangled sin.

And when the sun went down, the frankincense
Again upon the altar-flame he cast
That through the open window floating thence
O'er the fresh odors of the garden passed;
And so another day was gone at last,
And he no more his lovelorn watch could keep,
But now for utter weariness must sleep.

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But the next morn, e'en while the incense-smoke
At sunrising curled round about her head,
Sweet sound of songs the wonted quiet broke
Down in the street, and he by something led,
He knew not what, must leave his prayer unsaid,
And through the freshness of the morn must see
The folk who went with that sweet minstrelsy;

Damsels and youths in wonderful attire,
And in their midst upon a car of gold
An image of the Mother of Desire,
Wrought by his hands in days that seemed grown
old,

Though those sweet limbs a garment did enfold.
Colored like flame, enwrought with precious
things,

Most fit to be the prize of striving kings.

Then he remembered that the manner was
That fair-clad priests the lovely Queen should take
Thrice in the year, and through the city pass,
And with sweet songs the dreaming folk awake;
And through the clouds a light there seemed to
break

When he remembered all the tales well told
About her glorious kindly deeds of old.

So his unfinished prayer he finished not,
But, kneeling, once more kissed the marble feet,
And, while his heart with many thoughts waxed
hot,

He clad himself with fresh attire and meet
For that bright service, and with blossoms sweet
Entwined with tender leaves he crowned his head,
And followed after as the goddess led.

So there he stood, that help from her to gain,
Bewildered by that twilight midst of day;
Downcast with listening to the joyous strain
He had no part in, hopeless with delay

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