Believe him, he has known the world too long,
: And seen the death of much immortal song.
He says, poor poets lost, while players won,
As pimps grow rich while gallants are undone.
Though Tom the poet writ with ease and pleasure,
The comic Tom abounds in other treasure.
Fame is at best an unperforming cheat;
But 'tis substantial happiness, to EAT.
Let ease, his last request, be of your giving,
Nor force him to be damn'd to get his living.

PROLOGUE

66

TO THE

THREE HOURS AFTER MARRIAGE."

[This was the celebrated farce tripartite, in which Pope, Gay, and Arbuthnot engaged, in order to ridicule Dr. Woodward, and which was most meritoriously damned at the first representation. See Cibber's Letter to Pope.]

Sir Walter Scott. AUTHORS are judged by strange capricious rules ; The great ones are thought mad, the small ones

fools: Yet sure the best are most severely fated; For fools are only laugh'd at, wits are hated. Blockheads with reason men of sense abhor; But fool ’gainst fool, is barbarous civil war, Why on all authors then should critics fall ? Since some have writ, and shown no wit at all. Condemn a play of theirs, and they evade it; Cry, "Damn not us, but damn the French, who

made it.”

By running goods these graceless owlers gain;
Theirs are the rules of France, the plots of Spain :
But wit, like wine, from happier climates brought,
Dash'd by these rogues, turns English common

draught.
They pall Moliere's and Lopez' sprightly strain,
And teach dull Harlequins to grin in vain.

How shall our author hope a gentler fate,
Who dares most impudently not translate ?
It had been civil, in these ticklish times,
To fetch his fools and knaves from foreign climes.
Spaniards and French abuse to the world's end,
But spare old England, lest you hurt a friend.
If any fool is by our satire bit,
'Let him hiss loud, to show you all he's hit.
Poets make characters, as salesmen clothes;
We take no measure of your fops and beaus;
But here all sizes and all shapes you meet,
And fit yourselves like chaps in Monmouth Street.

Gallants, look here! this fool's cap* has an air.
Goodly and smart, with ears of Issachar.
Let no one fool engross it, or confine
A common blessing ! now 'tis yours, now mine.
But poets in all ages had the care
To keep this cap for such as will, to wear.
Our author has it now (for every wit
Of course resign'd it to the next that writ)
And thus upon the stage 'tis fairly thrown;t
Let him that takes it wear it as his own.

* Shows a cap with ears.

+ Flings down the cap, and exit.

SANDY'S GHOST;

OR, A PROPER NEW BALLAD ON THE NEW OVID'S

METAMORPHOSES:

AS IT WAS INTENDED TO BE TRANSLATED BY PERSONS OF QUALITY.

[SIR SAMUEL GARTH, who published the Metamorphoses of Ovid, translated by "Dryden, Addison, Garth, Mainwaring, Congreve, Rowe, Pope, Gay, Eusden, Croxal, and other eminent hands," had himself no other share in the undertaking, than engaging the various translators in their task, and putting their labours into some order. The work was intended to supersede the ancient translation.

George Sandys, the old translator, (whose ghost is introduced in the verses,) was a man of great accomplishment, and pronounced by Dryden to be the best versifier of his age. The curious reader will find many particulars respecting him, and his translation of Ovid, in the Censura Literaria, volumes 4th, 5th, and 6th. He died in 1643.]

Sir Walter Scott.

Ye Lords and Commons, men of wit

And pleasure about town,
Read this, ere you translate one bit

Of books of high renown.

Beware of Latin authors all,

Nor think your verses sterling, , Though with a golden pen you scrawl,

And scribble in a Berlin:

For not the desk with silver nails,

Nor bureau of expense,
Nor standish well japann'd, avails

To writing of good sense.

Hear how a ghost in dead of night,

With saucer eyes of fire,
In woful wise did sore affright

A wit and courtly 'squire.

Rare imp of Phoebus, hopeful youth!

Like puppy tame, that uses To fetch and carry in his mouth

The works of all the Muses.

Ah! why did he write poetry,

That hereto was so civil; And sell his soul for vanity

To rhyming and the devil ?

A desk he had of curious work,

With glittering studs about ; Within the same did Sandys lurk,

Though Ovid lay without.

Now, as he scratch'd to fetch up thought,

Forth popp'd the sprite so thin, And from the keyhole bolted out,

All upright as a pin.

With whiskers, band, and pantaloon,

And ruff composed most duly,
This ’squire he dropp'd his pen full soon,

While as the light burnt bluely.

Ho! master Sam, quoth Sandy's sprite,

Write on, nor let me scare ye; Forsooth, if rhymes fall not in right,

To Budgel seek or Carey.

I hear the beat of Jacob's * drums,

Poor Ovid finds no quarter! See first the merry P-t comes

In haste without his garter.

Then lords and lordlings, 'squires and knights,

Wits, witlings, prigs, and peers : Garth at St. James's, and at White's,

Beats up for volunteers.

What Fenton will not do, nor Gay,

Nor Congreve, Rowe, nor Stanyan, Tom Burnet, or Tom D'Urfey may,

John Dunton, Steele, or any one.

If justice Philips' costive head

Some frigid rhymes disburses : They shall like Persian tales be read,

And glad both babes and nurses.

* Old Jacob Tonson, the editor of the Metamorphoses. + Pembroke, probably.