Speak not of fate: ah! change the | While music charms the ravish'd ear; theme, And talk of odors, talk of wine, Talk of the flowers that round us bloom: Beauty has such resistless power, But ah! sweet maid, my counsel hear While sparkling cups delight our eyes, Be gay, and scorn the frowns of age. What cruel answer have I heard? Go boldly forth, my simple lay, LADY ANNE LINDSAY. 1750-1825. [Daughter of James Lindsay, fifth Earl of Balcarres. Born Dec. 8, 1750. Married, 1793, to Sir Andrew Barnard, Librarian to George III. Died May 8, 1825.] To make the crown a pound, my Jamie My heart it said nay; I looked for Jamie back; But the wind it blew high, and the ship it was a wrack; His ship it was a wrack-why didna Jamie dee? Or why do I live to cry, Wae's me? My father urgit sair: my mother didna speak; But she looked in my face till my heart was like to break: They gie'd him my hand, but my heart was at the sea; O sair, sair did we greet, and muckle did we say; We took but ae kiss, and I bade him gang away: Sae auld Robin Gray he was gudeman I wish that I were dead, but I'm no like [GEORGE CRABBE was born at Aldborough in Suffolk, of poor parents, on the 24th of December, 1754. He was apprenticed in his fourteenth year to a surgeon at Wickham Brook, near Bury St. Edmunds, and after completing his term, actually practised at Aldborough. He was not however successful in his profession, and being reduced to great extremities, he determined to go to London, and to devote himself to literature, for which he had at an early age discovered a strong bent. For a long time he sought in vain for patronage, but was at length fortunate enough to attract the attention of Burke, through whose kindly influence The Library (1781) was favorably received by the public. In the same year he took orders, and two years later published The Village, after first submitting it to the revision of Johnson. This work at once established his reputation; but instead of following up his success, for the period of twenty-four years he published but one poem, The Newspaper (1785), and devoted himself almost entirely to parish work. In 1807 appeared The Parish Register, which was succeeded in 1810 by The Borough, in 1812 by Tales in Verse, and in 1819 by Tales of the Hall. This was his last poetical work, though his death did not take place till February 3, 1832, thirteen years later.] Where other cares than those the Muse relates, And other shepherds dwell with other mates; By such examples taught, I paint the cot, As Truth will paint it and as bards will not: Nor you, ye poor, of lettered scorn complain, To you the smoothest song is smooth in vain; O'ercome by labor, and bowed down by time, Feel you the barren flattery of a rhyme? Can poets soothe you, when you pine for bread, By winding myrtles round your ruin'd shed? Can their light tales your weighty griefs o'erpower, Or glad with airy mirth the toilsome hour? Lo! where the heath, with withering brake grown o'er, Lends the light turf that warms the neighboring poor; From thence a length of burning sand appears, Where the thin harvest waves its withered ears; Rank weeds, that every art and care defy, Reign o'er the land and rob the blighted rye: There thistles stretch their prickly arms afar, And to the ragged infant threaten war; There poppies nodding, mock the hope of toil; There the blue bugloss paints the sterile soil; Hardy and high, above the tender sheaf, The slimy mallow waves her silky leaf; O'er the young shoot the charlock throws a shade, THE CONVICT'S DREAM. YES! e'en in sleep the impressions all remain, He hears the sentence and he feels the chain: He sees the judge and jury—when he shakes, And loudly cries "Not guilty!" and awakes: Then chilling tremblings o'er his body creep, Till worn-out nature is compelled to sleep. Now comes the dream again: it shows each scene With each small circumstance that comes between, The call to suffering, and the very deed There crowds go with him, follow, and precede; Some heartless shout, some pity, all condemn, While he in fancied envy looks at them: He seems the place for that sad act to see, And dreams the very thirst which then will be: A priest attends - it seems the one he knew In his best days, beneath whose care he grew. At this his terrors take a sudden flight, He sees his native village with delight; The home, the chamber, where he once arrayed His youthful person; where he knelt and prayed: Then too the comfort he enjoyed at home, The days of joy; the joys themselves are come; The hours of innocence; the timid look Of his loved maid, when first her hand he took, And told his hope; her trembling joy appears, Her forced reserve and his retreating fears. Life's early prospects and his Fanny's smile: Then come his sister and his village friend, And he will now the sweetest moments spend Life has to yield; —No! never will he find Again on earth such pleasure in his mind: He goes through shrubby walks these friends among, Love in their looks and honor on the tongue : Nay, there's a charm beyond what nature shows, The bloom is softer and more sweetly glows. Pierced by no crime and urged by no The ocean smiling to the fervid sun— The waves that faintly fall and slowly run The ships at distance and the boats at hand; And now they walk upon the seaside sand, Counting the number and what kind they be, Ships softly sinking in the sleepy sea; Now arm in arm, now parted, they behold The glittering waters on the shingles rolled; The timid girls, half dreading their design, Dip the small foot in the retarded brine, And search for crimson weeds, which spreading flow, Or lie like pictures on the sand below; With all those bright red pebbles, that the sun Through the small waves so softly shines upon. And those live lucid jellies which the eye Delights to trace as they swim glittering by: Pearl shells and rubied star-fish they |