...worth rememlwing, or whoso sorrow deserved sympathy, ever crossed that ' Bridge of Sighs," which it* the centre of the Byronic ideal of Venice ; no great merchant of Vcnioo over saw that Rialto, under which the traveller now jw-sMes with breathless interest; the statue...

...discerning, the objects to which they ought to have been attached. The Venice of modern fiction and drama is a thing of yesterday, a mere efflorescence of decay, a stage dream, wliich the first ray of light must dissipate into dust. No prisoner, whose name is worth remembering,...

...burden of his prose-poetry ; he kindles into a glow as he thinketh upon her Stones, and it piticth him to see her in the dust. " The Venice of modern...Venice ; no great merchant of Venice ever saw that llialto under which the traveller now passes with breathless interest : the statue which Byron makes...

...of modern fiction and drama is a thing of yesterday, a mere efflorescence of decay, a stage-dream, which the first ray of daylight must dissipate into dust. No prisoner whose name is wonh remembering, or whose sorrow deserved sympathy, ever crossed that ' Bridge of Sighs,' which is...

...of daylight must dissipate into dust. No prisoner whose name is worth remembering, or whose sorrows deserved sympathy, ever crossed that Bridge of Sighs,...Venice ; no great merchant of Venice ever saw that liialto under which the traveler now pauses with breathless interest ; the statue which Byron makes...

...discerning, the objects to Avhich they ought to have been attached. The Venice of modern fiction and drama is a thing of yesterday, a mere efflorescence of decay,...which the first ray of daylight must dissipate into dnst. No prisoner, whose name is worth remembering, or whose sorrow deserved sympathy, ever crossed...

...of modern fiction and drama is a thing of yesterday, a mere efflorescence of decay, a stage-dream, which the first ray of daylight must dissipate into...prisoner whose name is worth remembering, or whose sorrows deserved sympathy, ever crossed that Bridge of Sighs, which is the centre of the Byronic ideal...

...Venice of Modern fiction and drama is a thing of yesterday, a mere efflorescence of decay, a stage-dream which the first ray of daylight must dissipate into...prisoner, whose name is worth remembering, or whose sor row deserved sympathy, ever crossed that " Bridge of Sisrhs," which is the centre of the Byronic...

...Venice of Modern fiction and drama is a thing of yesterday, a mere efflorescence of decay, a stage-dream which the first ray of daylight must dissipate into...prisoner, whose name is worth remembering, or whose sor row deserved sympathy, ever crossed that " Bridge of Sighs," which is the centre of the Byronic...

...of daylight must dissipate into dust. No prisoner whose name is worth remembering, or whose sorrows deserved sympathy, ever crossed that Bridge of Sighs,...merchant of Venice ever saw that Rialto under which the traveler now pauses with breathless interest ; the statue which Byron makes Faliero address as one...