A New History of Documentary Film: Second EditionBloomsbury Publishing USA, 28 de mar. de 2013 - 456 páginas A New History of Documentary Film, Second Edition offers a much-needed resource, considering the very rapid changes taking place within documentary media. Building upon the best-selling 2005 edition, Betsy McLane keeps the same chronological examination, factual reliability, ease of use and accessible prose style as before, while also weaving three new threads - Experimental Documentary, Visual Anthropology and Environmental/Nature Films - into the discussion. She provides emphasis on archival and preservation history, present practices, and future needs for documentaries. Along with preservation information, specific problems of copyright and fair use, as they relate to documentary, are considered. Finally, A History of Documentary Film retains and updates the recommended readings and important films and the end of each chapter from the first edition, including the bibliography and appendices. Impossible to talk learnedly about documentary film without an audio-visual component, a companion website will increase its depth of information and overall usefulness to students, teachers and film enthusiasts. |
Conteúdo
| 1 | |
2 The Work of Robert and Frances Flaherty | 21 |
3 The Soviets and Political Indoctrination 19221929 | 41 |
4 The European AvantGarde Experimentation 19221929 | 57 |
Great Britain 19291939 | 73 |
USA 19301941 | 93 |
7 WWII | 117 |
8 PostWar Documentary 19451961 | 159 |
11 Cinéma vérité direct cinema 195870 | 219 |
Power to the People | 243 |
13 Video Arrives | 271 |
14 Reality Bytes | 301 |
15 Documentary Tradition in the TwentyFirst Century | 331 |
16 Now and When | 363 |
Appendix One | 391 |
Appendix Two | 401 |
9 Documentary for Television the Golden Years 195171 | 185 |
10 British Free Cinema and New American Cinema 195360 | 203 |
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Termos e frases comuns
Academy Award aesthetic American Art Film Stills artistic audiences avant-garde Battle became began Britain British documentary broadcast camera Canadian Channel cinéma vérité City continued created culture cv/direct D. A. Pennebaker direct cinema distribution document Documentary Film documentary filmmaking documentary-making Dziga Vertov editing Eisenstein example experimental fiction features fiction films Film Stills Archive filmmakers Flaherty’s footage Frances Frederick Wiseman Free Cinema Frontier Films Herzog history of documentary Hollywood images interviews John Grierson Joris Ivens Leacock lives London Lorentz Maysles Modern Art Film motion picture movie Museum of Modern Nanook narration National Film Board newsreel nonfiction nontheatrical Pennebaker Photo League photographs political produced programme propaganda record Robert Flaherty screen semidocumentary shot social sound Soviet sponsored story studio style subjects technique television documentary theatres theatrical tradition twenty-first century United University Press Vertov visual Willard Van Dyke women workers York