The Focal Word: An Introduction to PoetryJacaranda Press, 1966 - 317 Seiten |
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Seite 90
... passage is here for comparison with the second . Though there are certain questions one would like to ask about the consistency and the precise meaning of the words in the opening sentence , the gist is clear enough , and the ...
... passage is here for comparison with the second . Though there are certain questions one would like to ask about the consistency and the precise meaning of the words in the opening sentence , the gist is clear enough , and the ...
Seite 91
... passage throws the fresh Fountain and the rills into sunny contrast . But the kindliness of the earth's thirst is mere fancy ; and when the phrase draws closer attention to the line , we find ourselves wondering whether the water is ...
... passage throws the fresh Fountain and the rills into sunny contrast . But the kindliness of the earth's thirst is mere fancy ; and when the phrase draws closer attention to the line , we find ourselves wondering whether the water is ...
Seite 135
... passage -- he thinks he has said all that needs to be said about Pope . The passage should be read in the context of Pope's immense variety , and it should be read carefully . Even here , Pope freely admits Addison's True Genius and the ...
... passage -- he thinks he has said all that needs to be said about Pope . The passage should be read in the context of Pope's immense variety , and it should be read carefully . Even here , Pope freely admits Addison's True Genius and the ...
Inhalt
INTRODUCTION | 1 |
BEN JONSON Continued | 27 |
ROSALINDS MADRIGAL | 33 |
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Häufige Begriffe und Wortgruppen
alliteration beauty bird blank verse blood body bora ring breath bright charm cloud colour conventional conveyed couplet dance dark dead death delight Donne doth dream earth effect English English Poetry eternal experience expression eyes F. R. Leavis fair fear feeling flowers Gerard Manley Hopkins give grace hand hath hear heart heaven human imagination James McAuley Judith Wright Keats king King Lear kiss L. C. Knights leaves light lines living look Lord lovers Lycidas Macbeth Milton mind moon nature never night o'er passage passion phrase play pleasure poem poet poetic poetry reality realized rhyme rhythm rich satiric Scholar Gipsy seems sense Shakespeare sing sleep soft song soul sound spirit spring stanza stars suggestion surprising sweet T. S. Eliot TAMBURLAINE tears Tell thee theme things thou thought tone trees turn verse vitality voice wind words youth