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BRIC-A-BRAC.

don't care where you goLived yender, crost the way.

Them ankles, round as a rollin'-pin;
That braid which hung way down;
All bright as if the day 'd struck in
A sky gal on the groun';

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The grays, I swings! they made things whistle,
A-gittin' to the Fair;

An', like a gold finch on a thistle,
She sot beside me square.

As I was sayin', the grays warn't lazy,
We got there bright an' early;
The dew still glistenin' on the daisy,
The hills with mist all curly.

It ain't my style-doin' things by halves,
I cut the entire figur';

We took all in, from the colts an' calves
To the patent thig-a-magigger.

Ball butter, punkins two foot thro',

Turnips, an' cheese, an' honey,
Pink-eyes, rag carpets, an' patch quilts too-
We seen 'em; an' I slung some money.

I scattered the coppers; an' my pile,
I remarked, I'd willin' risk it
That a gal I knowed could beat 'em a mile
On gingerbread and biscuit.

We heerd the speech an' lots o' the band,
See the trot an' plowin' matches;
An' I never so much as techt her hand-
Though there was some close scratches.

We made a day on 't: see all the stock,
The fruit, the home manufactur's,
An' got away at eight o'clock,
"Thout any compound fractur's.

The air was closter than I need,
An' gin me a sort o' chokin';
So I druv at no partic'lar speed,
An' tried to pluck up, jokin'.

The makeshift did n't take, somehow,
An', rether wuss than better,

Sez I," I'll bring things hum, right now;
If she mittings me-let her.

"Helen," sez I, a-takin' her hand,
"Anent the fire-fly's spark,

That's jest my fix-you understand-
A-burnin' in the dark."

She sot as straight, sir, straight an' still,
As a rabbit in the wood-

On top the choke I took a chill;
She certing understood.

"The goldenrods are comin' on,

The sumachs growin' brighter;
The singin' birds hev quit, an' gone";—
I squeezed a leetle tighter.

"It's lonesome like (ez you be fair
I know you'll be forgivin'),
An' I've a castle in the air
Too big for one to live in.

"Since fust we played house-keep together Here come a flash o' lightnin'!

My back-bone felt like a big wet feather, But I kept my hand a-tightenin'.

"Ever since that day -"an' there I broke. So did a clap o' thunder:

It seemed as if the hevings spoke,
An' I could see it stunned her.

She dropt them long, thick, sweepin' lashes,
And her face grew white all over,
Like where a sprinklin' of wood ashes
Brings up the new white clover.

I guess we'll let the subjeck drop.
Do you hear that youngster yellin'?
When he begins, I allers stop,

Give the floor to him an'- Helen.

John Vance Cheney.

The Goddess.

(DEDICATED TO T. B. ALDRICH.)

"A MAN should live in a garret aloof,

And have few friends and go poorly clad, With an old hat stopping a chink in the roof To keep the Goddess constant and glad."

So thought the poet and so thought I.
A garret I found me without delay,
And hung a picture of lurid gloom
Dante and Virgil, by G. Doré.

But the saddest picture by far in the room

Was the one I made, with my bottle of ink Spinning a verse with a thread of thought

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And still I fear to come again,

And half misdoubt my wondrous gain;

While the wind blew fresh through the hat and And half misdoubt that I have dreamed thou didst chink.

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not say me nay.

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THE DE VINNE PRESS, PRINTERS, NEW YORK.

W. E. K.

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THE CENTURY MAGAZINE.

No. 3.

VOL. XXXV.

JANUARY, 1888.

THE CATACOMBS OF ROME.

BAPTISM OF CHRIST. (FROM CRYPT OF LUCINA.
ACCORDING TO ROSSI AND ROLLER.)

AMONG the many objects of interest which claim the attention of visitors to Rome are the Catacombs, or subterranean cemeteries of the early Christians, outside of the city walls. They attract alike the archæologist, the historian, and the theologian. It is now more than fourteen hundred years since the celebrated scholar and monk, St. Jerome, the translator of the Latin Bible, then a student at Rome, used to visit that vast necropolis with his friends on Sundays to quicken his devotion by the sight of the tombs of martyrs and confessors from the times of persecution. "There," he says, "in subterranean depths the visitor passes to and fro between the bodies of those that are buried on both sides of the galleries, and where all is so dark that the prophecy is fulfilled, 'The living go down into Hades.' Here and there a ray from above, not falling in through a window, but only pressing in through a crevice, softens the gloom. As you go onward, it fades away, and

in the darkness of night which surrounds you
that verse of Vergil comes to your mind:
"Horror ubique animos, simul ipsa silentia terrent '
(Horror on every side, and terrible even the silence)."

The same impression is made in our days, only the darkness is deeper and the tombs are emptied of their treasures; yet the air is filled with the associations of the past when heathen Rome and Christian Rome were engaged in deadly conflict which ended in the triumph of the cross.

Not many years after the days of Jerome, who died at Bethlehem in 420, the Catacombs were virtually closed and disappeared from the memory of the Christian world. The barbarian invasions of Alaric, Genseric, Ricimer, Vitiges, Totila, and the Lombards turned the Eternal City again and again into a heap of ruins and destroyed many valuable treasures

of classical and Christian art. The pious barbarism of relic-hunters robbed the graves of martyrs and saints, real and imaginary, of their bones and ornaments and transferred them to the Pantheon and churches and chapels for more convenient worship. Cartloads of relics were sold to credulous and superstitious foreigners.

In the year 1578 they were unexpectedly brought to light again, and created as great an interest in the Christian world as the discovery of long-lost Pompeii and Herculaneum in the eighteenth, and the discovery of Nineveh and Babylon, Mycena and Troy, in the nineteenth century. Some laborers in a vineyard on the Via Salaria, digging pozzolana, came upon an old subterranean cemetery ornamented with fresco paintings, sculptured sarcophagi, and Greek and Latin inscriptions. "On that day," says De' Rossi, "was born the name and the knowledge of Roma Sotterranea." A new chapter of ancient church history was opened, Copyright, 1887, by THE CENTURY Co. All rights reserved.

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