'Candidates for Fame': The Society of Artists of Great Britain, 1760-1791

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Yale University Press, 1 de jan. de 2005 - 244 páginas
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In 1760 an innovation transformed the character of artistic life in Great Britain: the first public exhibition of art. The successful London exhibition was repeated in 1761, but a dispute in the wake of the first show split exhibitors into rival groups, among them the Society of Artists of Great Britain. This book is the first to examine closely the Society from its origins to its demise in 1791. Matthew Hargraves looks at the politics and personalities behind the earliest public exhibitions of British art and uncovers the profound impact of the Society of Artists on the history of British art.The book analyzes the motivations behind public exhibitions and the competing interests that shaped their development. It offers new insights into the infighting in the Society of Artists that led to the foundation of the Royal Academy and the subsequent rivalry between the two institutions. Far from being eclipsed by the Royal Academy, the Society provided a serious alternative and acted as a haven for some of the leading artists of the time.

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Conteúdo

Introduction
1
Candidates for Fame
5
Going Public
21
Incorporation
43
Fathers and Sons
63
To Destroy or Be Destroyed
89
Raising the Standard
111
Breakdown
135
Dissolution
151
Afterlife 65
165
Exhibitions of the Society of Artists of Great Britain
174
Chief Officers of the Society of Artists of Great Britain
176
Directors of the Society of Artists of Great Britain
178
Notes 189
221
Index
237
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Sobre o autor (2005)

Matthew Hargraves is research associate at the Yale Center for British Art.

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