Visible Deeds of Music: Art and Music from Wagner to CageYale University Press, 1 de jan. de 2002 - 290 páginas Medicine played an important role in the early secularisation and eventual modernisation of German Jewish culture. As both physicians and patients, Jews exerted a great influence on the formation of modern medical discourse and practice. This fascinating book investigates the relationship between German Jews and medicine from medieval times until its demise under the Nazis. John Efron examines the rise of the German Jewish physician in the Middle Ages and his emergence as a new kind of secular, Jewish intellectual in the early modern period and beyond. The author shows how nineteenth-century medicine regarded Jews as possessing distinct physical and mental pathologies, which in turn led to the emergence in modern Germany of the 'Jewish body' as a cultural and scientific idea. He demonstrates why Jews flocked to the medical profession in Germany and Austria, noting that by 1933, 50 percent of Berlin's and 60 percent of Vienna's physicians were Jewish. He discusses the impact of this on Jewish and German culture, concluding with the fate of Jewish doctors under the Nazis, whose assault on them was designed to eliminate whatever intimacy had been built up between Germans and their Jewish doctors over the centuries. |
De dentro do livro
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... central to artistic practice , so that art becomes its own subject ; this is not so much a stylistic shift as a paradigmatic transformation . Art does this in order to arrest the drift that Wagner identifies in the extension of the arts ...
... central to artistic practice , so that art becomes its own subject ; this is not so much a stylistic shift as a paradigmatic transformation . Art does this in order to arrest the drift that Wagner identifies in the extension of the arts ...
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... central defining plank of the modernist canon : cubism , specifically the cubism of Pablo Picasso . Although for Greenberg , Edouard Manet was the first modernist , cubism marks a fundamental shift in the develop- ment of modern art ...
... central defining plank of the modernist canon : cubism , specifically the cubism of Pablo Picasso . Although for Greenberg , Edouard Manet was the first modernist , cubism marks a fundamental shift in the develop- ment of modern art ...
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... central to the classification and purpose of the arts was the con- cept of imitation ( mimesis ) , as this relates directly to his notion of the eidos , the realm of suprasensible reality , which is distinct from the eidolon , which is ...
... central to the classification and purpose of the arts was the con- cept of imitation ( mimesis ) , as this relates directly to his notion of the eidos , the realm of suprasensible reality , which is distinct from the eidolon , which is ...
Página 9
... central argu- ments by the American critic Clement Greenberg , in his essay " Towards a Newer Laocoon " ( 1940 ) , the essence of modernist art is defined.19 But here first is Less- ing's initial discussion and its division of the arts ...
... central argu- ments by the American critic Clement Greenberg , in his essay " Towards a Newer Laocoon " ( 1940 ) , the essence of modernist art is defined.19 But here first is Less- ing's initial discussion and its division of the arts ...
Página 27
... central defining characteristic of music—organized sound—he modifies it to explicitly address notions of space, replacing interest in the conventional narrative of music in time. In all hybrids, whether juxtapositional, synthetic, or ...
... central defining characteristic of music—organized sound—he modifies it to explicitly address notions of space, replacing interest in the conventional narrative of music in time. In all hybrids, whether juxtapositional, synthetic, or ...
Conteúdo
1 | |
36 | |
Instruments of Desire Musical Morphology in Picassos Cubism | 89 |
Quasi Una Musica Kupka and Klee Music and the Idea of Abstraction | 121 |
Out of Tune Hauers Legacy and the Aesthetics of Minimalism in Art and Music | 163 |
A Chorus of Voices Seeing Music in Cage and Fluxus the Birth of the Postmodern | 208 |
Notes | 245 |
Index | 283 |
Outras edições - Ver todos
Visible Deeds of Music: Art and Music from Wagner to Cage Simon Shaw-Miller,Simon Miller Visualização parcial - 2002 |
Visible Deeds of Music: Art and Music from Wagner to Cage Simon Miller,Simon Shaw-Miller Prévia não disponível - 2002 |
Termos e frases comuns
abstract aesthetic argues art form artist audience Baudelaire Cage's century chord CHORUS OF VOICES collage color composer composition concept concern context conventional cubist culture David Tudor DEEDS OF MUSIC discussion dodecaphonic elements essay example expression Fluxus František Kupka Gesamtkunstwerk Greenberg guitar harmony Hauer hexachords hybrid Ibid ideas INSTRUMENTS OF DESIRE interdisciplinarity John Cage Josef Matthias Hauer Klee Klee's La Monte Young language Laocoön London melody Minimal Music minimalism modern modernist movement MUSIC MADE VISIBLE musical instruments musician nature Nietzsche notation NOTES TO PAGES notion object Obukhov Orphism Pablo Picasso painter painting Paris Paul Klee performance piano Picasso PICTURA MUSICA piece pitch play poetry polyphony produced Quotation taken relation relationship rhythm role Schoenberg score Scriabin sculpture sense signify silence sound space spiritual Steiner synesthesia synthesis Tannhäuser temporal theory theosophical tion tonal tone trans twelve-note Vienna violin visual arts Wagner words