Troubled Histories, Troubled Fictions: Twentieth-century Anglo-Irish ProseTheo d' Haen, José Lanters Rodopi, 1995 - 180 Seiten Twentieth-century Irish fiction powerfully reflects the intensely political nature of the Irish experience for the last hundred years, and earlier. The essays in Troubled Histories, Troubled Fictions: Twentieth Century Anglo-Irish Prose focus upon the various ways in which the work of authors otherwise as diverse as James Joyce, James Stephens, Elizabeth Bowen, Molly Keane, Eimar O'Duffy, Jennifer Johnston, William Trevor, Julia O'Faolain, and a number of recent women writers, synchronizes with items that are, or were, high on the agenda of Irish politics. Discussion ranges from the political and ideological use to which Joyce puts etymology, sex, and early Irish history, the symbolical importance of the Big House, and the politics of sexuality in the immediate post-independence period, to representations of the recent Troubles. |
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Seite 9
... represents the intellectual level of the conversation . Simony , barratry , and treachery 11. Encyclopædia Britannica , 9th edn , Edinburgh , 1879 , 703 . 66 continue to be revealed through the various anecdotes : What We Want is Capital 9.
... represents the intellectual level of the conversation . Simony , barratry , and treachery 11. Encyclopædia Britannica , 9th edn , Edinburgh , 1879 , 703 . 66 continue to be revealed through the various anecdotes : What We Want is Capital 9.
Seite 13
... represent the labour classes . This fellow you're working for only wants to get some job or other . Of course , the working - classes should be represented , said the old man . The working - man said Mr Hynes , gets all kicks and no ...
... represent the labour classes . This fellow you're working for only wants to get some job or other . Of course , the working - classes should be represented , said the old man . The working - man said Mr Hynes , gets all kicks and no ...
Seite 16
... representing Dis , towering like a gigantic cork stuck in the very center of Hell . Of course , in Gnosticism this is the Savior . Parnell in this verse ( D 134-5 ) is shown in a startling variety of roles : Acteon - like , he is slain ...
... representing Dis , towering like a gigantic cork stuck in the very center of Hell . Of course , in Gnosticism this is the Savior . Parnell in this verse ( D 134-5 ) is shown in a startling variety of roles : Acteon - like , he is slain ...
Seite 32
... represent one of the most obvious and significant areas in which politics and literature become entangled and it seems to me particularly appropriate to give consideration to some of the issues involved in this branch of the politics of ...
... represent one of the most obvious and significant areas in which politics and literature become entangled and it seems to me particularly appropriate to give consideration to some of the issues involved in this branch of the politics of ...
Seite 41
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Inhalt
1 | |
19 | |
31 | |
Bruce Stewart | 61 |
Werner Huber | 95 |
Clair Hughes | 119 |
José Lanters | 129 |
Kristin Morrison | 141 |
That Is No Country for Young Men | 151 |
Margaret Scanlan | 159 |
Notes on Contributors | 173 |
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Troubled Histories, Troubled Fictions: Twentieth-Century Anglo-Irish Prose Eingeschränkte Leseprobe - 2022 |
Häufige Begriffe und Wortgruppen
Anglo-Irish artistic Big House Bildungsroman Bloom Boheemen Catholic censorship central chapter characters Charwoman's Daughter Christian context Cuchulain culture Danielstown Darrell Figgis deconstruction Derry Dublin Elizabeth Bowen English episode essay Etymological example father female fiction Finnegans Wake Gaelic Gnostic Grainne Henchy hero heroines High King human Irish Signorina Ivy Day James Joyce James Stephens Jennifer Johnston Joyce's Julia O'Faolain Keane Keane's King Goshawk language linguistic literary Literature lives Lois London M.J. Farrell male marriage means modern Irish Molly Molly Keane Molly's mother myth narrative nation nationalist nature Northern Ireland novel O'Conor O'Donoghue O'Duffy O'Duffy's O'Faolain's O'Kennedy Parnell Pentarchy poem political pornography Portrait post-structuralist protagonist Rathean reference Richard Ellmann Roderick role satire Seamus Deane seems sense sexual Sinn Féin social society stasis Stephens's story suggests symbol Tara theme tradition Troubles Uisneach Ulysses violence woman women words writing Yeats Yeats's young
Beliebte Passagen
Seite 47 - Perfume of embraces all him assailed. With hungered flesh obscurely, he mutely craved to adore." You can see for yourself in how many different ways they might be arranged.
Seite 7 - Others apart sat on a Hill retir'd, In thoughts more elevate, and reason'd high Of Providence, Foreknowledge, Will, and Fate, Fixt Fate, free will, foreknowledge absolute, And found no end, in wand'ring mazes lost.
Seite 98 - First, that food is necessary to the existence of man. Secondly, that the passion between the sexes is necessary, and will remain nearly in its present state.
Seite 47 - I love flowers Id love to have the whole place swimming in roses God of heaven theres nothing like nature the wild mountains then the sea and the waves rushing then the beautiful country with fields of oats and wheat and all kinds of things...
Seite 72 - In such a fabric, it is useless to look for a thread that may have remained pure and virgin without having undergone the influence of a neighbouring thread. What race, or what language. . . can boast of being pure today?
Seite 26 - They are sundered by a bodily shame so steadfast that the criminal annals of the world, stained with all other incests and bestialities, hardly record its breach. Sons with mothers, sires with daughters, lesbic sisters, loves that dare not speak their name, nephews with grandmothers, jailbirds with keyholes, queens with prize bulls.
Seite 72 - Nationality (if it really is not a convenient fiction like so many others to which the scalpels of present-day scientists have given the coup de grace) must find its reason for being rooted in something that surpasses and transcends and informs changing things like blood and the human word.
Seite 61 - Having found a pen, with some difficulty I copied them out in a large handwriting on a double sheet of foolscap so that I could read them.
Seite 68 - Irishman but your pride is too powerful. —My ancestors threw off their language and took another, Stephen said. They allowed a handful of foreigners to subject them. Do you fancy I am going to pay in my own life and person debts they made? What for?
Seite 67 - ... why do you go to France and Belgium," said Miss Ivors, "instead of visiting your own land?" "Well," said Gabriel, "it's partly to keep in touch with the languages and partly for a change." "And haven't you your own language to keep in touch with —Irish?" asked Miss Ivors. "Well," said Gabriel, "if it comes to that, you know, Irish is not my language.