Troubled Histories, Troubled Fictions: Twentieth-century Anglo-Irish ProseTheo d' Haen, José Lanters Rodopi, 1995 - 180 Seiten Twentieth-century Irish fiction powerfully reflects the intensely political nature of the Irish experience for the last hundred years, and earlier. The essays in Troubled Histories, Troubled Fictions: Twentieth Century Anglo-Irish Prose focus upon the various ways in which the work of authors otherwise as diverse as James Joyce, James Stephens, Elizabeth Bowen, Molly Keane, Eimar O'Duffy, Jennifer Johnston, William Trevor, Julia O'Faolain, and a number of recent women writers, synchronizes with items that are, or were, high on the agenda of Irish politics. Discussion ranges from the political and ideological use to which Joyce puts etymology, sex, and early Irish history, the symbolical importance of the Big House, and the politics of sexuality in the immediate post-independence period, to representations of the recent Troubles. |
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Seite 17
... nature of much of the story . Almost as present by their absence as Parnell , women figure in the story only marginally . This would seem appropriate , in that politics was almost entirely a male preserve at the time . Women appear only ...
... nature of much of the story . Almost as present by their absence as Parnell , women figure in the story only marginally . This would seem appropriate , in that politics was almost entirely a male preserve at the time . Women appear only ...
Seite 19
... nature poetry . The first four lines , for example , have a cloying hypnotic quality , and give a mantra - type atmosphere to the introduction . But the gentle lyrical introduction gives no indication of the satire which is to follow or ...
... nature poetry . The first four lines , for example , have a cloying hypnotic quality , and give a mantra - type atmosphere to the introduction . But the gentle lyrical introduction gives no indication of the satire which is to follow or ...
Seite 20
... nature through conceit And their manhood killed by their own deceit those " braggarts " will be punished . ( 68-69 ) The language used in the original Irish version of The Midnight Court to talk about sex is sometimes very explicit ...
... nature through conceit And their manhood killed by their own deceit those " braggarts " will be punished . ( 68-69 ) The language used in the original Irish version of The Midnight Court to talk about sex is sometimes very explicit ...
Seite 24
... nature never denies To anything born that swims or dies ( 57 ) What's the point of dying of want " in the middle of plenty " ? And what does it matter how many men she has , the man is asked : Will it lessen your store , will you sigh ...
... nature never denies To anything born that swims or dies ( 57 ) What's the point of dying of want " in the middle of plenty " ? And what does it matter how many men she has , the man is asked : Will it lessen your store , will you sigh ...
Seite 28
... nature of the male , and male exploitation , Joyce also portrays Gerty and Molly as being interested only in their own pleasure , and not in enjoying their sexuality in a context of affection . The general message Joyce gives in Ulysses ...
... nature of the male , and male exploitation , Joyce also portrays Gerty and Molly as being interested only in their own pleasure , and not in enjoying their sexuality in a context of affection . The general message Joyce gives in Ulysses ...
Inhalt
1 | |
19 | |
31 | |
Bruce Stewart | 61 |
Werner Huber | 95 |
Clair Hughes | 119 |
José Lanters | 129 |
Kristin Morrison | 141 |
That Is No Country for Young Men | 151 |
Margaret Scanlan | 159 |
Notes on Contributors | 173 |
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Troubled Histories, Troubled Fictions: Twentieth-Century Anglo-Irish Prose Eingeschränkte Leseprobe - 2022 |
Häufige Begriffe und Wortgruppen
Anglo-Irish artistic Big House Bildungsroman Bloom Boheemen Catholic censorship central chapter characters Charwoman's Daughter Christian context Cuchulain culture Danielstown Darrell Figgis deconstruction Derry Dublin Elizabeth Bowen English episode essay Etymological example father female fiction Finnegans Wake Gaelic Gnostic Grainne Henchy hero heroines High King human Irish Signorina Ivy Day James Joyce James Stephens Jennifer Johnston Joyce's Julia O'Faolain Keane Keane's King Goshawk language linguistic literary Literature lives Lois London M.J. Farrell male marriage means modern Irish Molly Molly Keane Molly's mother myth narrative nation nationalist nature Northern Ireland novel O'Conor O'Donoghue O'Duffy O'Duffy's O'Faolain's O'Kennedy Parnell Pentarchy poem political pornography Portrait post-structuralist protagonist Rathean reference Richard Ellmann Roderick role satire Seamus Deane seems sense sexual Sinn Féin social society stasis Stephens's story suggests symbol Tara theme tradition Troubles Uisneach Ulysses violence woman women words writing Yeats Yeats's young
Beliebte Passagen
Seite 47 - Perfume of embraces all him assailed. With hungered flesh obscurely, he mutely craved to adore." You can see for yourself in how many different ways they might be arranged.
Seite 7 - Others apart sat on a Hill retir'd, In thoughts more elevate, and reason'd high Of Providence, Foreknowledge, Will, and Fate, Fixt Fate, free will, foreknowledge absolute, And found no end, in wand'ring mazes lost.
Seite 98 - First, that food is necessary to the existence of man. Secondly, that the passion between the sexes is necessary, and will remain nearly in its present state.
Seite 47 - I love flowers Id love to have the whole place swimming in roses God of heaven theres nothing like nature the wild mountains then the sea and the waves rushing then the beautiful country with fields of oats and wheat and all kinds of things...
Seite 72 - In such a fabric, it is useless to look for a thread that may have remained pure and virgin without having undergone the influence of a neighbouring thread. What race, or what language. . . can boast of being pure today?
Seite 26 - They are sundered by a bodily shame so steadfast that the criminal annals of the world, stained with all other incests and bestialities, hardly record its breach. Sons with mothers, sires with daughters, lesbic sisters, loves that dare not speak their name, nephews with grandmothers, jailbirds with keyholes, queens with prize bulls.
Seite 72 - Nationality (if it really is not a convenient fiction like so many others to which the scalpels of present-day scientists have given the coup de grace) must find its reason for being rooted in something that surpasses and transcends and informs changing things like blood and the human word.
Seite 61 - Having found a pen, with some difficulty I copied them out in a large handwriting on a double sheet of foolscap so that I could read them.
Seite 68 - Irishman but your pride is too powerful. —My ancestors threw off their language and took another, Stephen said. They allowed a handful of foreigners to subject them. Do you fancy I am going to pay in my own life and person debts they made? What for?
Seite 67 - ... why do you go to France and Belgium," said Miss Ivors, "instead of visiting your own land?" "Well," said Gabriel, "it's partly to keep in touch with the languages and partly for a change." "And haven't you your own language to keep in touch with —Irish?" asked Miss Ivors. "Well," said Gabriel, "if it comes to that, you know, Irish is not my language.