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Directions to the Binder for plan
cing the Cuts.

VOL. I.
Frontispiece, Mr. Pože.
Mr. Addison, Page 21.
Mrs. Fermor, p. 42..
Duke of Buckingham, p. 1oz
Bishop Atterbury, p. 155...
Mr. Rowe, p. 209.
Mr. Cibber, p. 257 . . . .

VOL. II.

Frontispiece, Mr. Pope ;......
Mrs. Blount, p. 17:.
Earl of Burlington, p. 69.
Duchess of Marlborough,
Mr. Gay, p. 1233
Dean Swift, p. 289.

Mtoti
ERRATA.

D Age 25. 1. 35. for Reiterations, read Alterations ; I p. 30. 1. 36. for nori ri not; R. 47. I. 25. for worse, r. worth ; p. 66. 1. 29. 8. in one's Power ; p. 114. 1. 18. r. fupercilious; p. 152. I. 28. for are, r. of ; p. 175. 1:21. for extricose, r, intricase.

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HEN we concluded the First Volume, we left speaking of the Third Book of the Dunciad, and gave Intimation of a Fourth, which came out afterwards; before we take further

Notice of that, we think it proper to introduce several Persons and Things, that may fill up the Interval.

Our great Dramatick Poet, Shakespear, had in Whole, or in Part, passed through several Hands; fome, who might be very reasonably thought not to VOL. II.

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have

have understood well any Part of him, much less be fit to correct or revise him.

The Friends of Mr. Pope solicited him strongly to · . undertake the Whole of Shakespear's Plays, and, if

poflible, by comparing all the different Copies now to be procured, bring him back to his own antient Purity. To which Mr. Pope made this modest Reply, That not having attempted any Thing in the Drama (for he had not appear’d to do it) it might in him be deem'd too much Presumption. To which he received Answer from a certain Earl, that this did not require great Knowledge of the Foundation and Disposition of the Drama, seeing that must stand as it was, and that Shakespear himself, had not always paid strict Regard to the Rules of it; but this was to clear the Scenes from the Rubbish which Actors, and those into whofe Care they had fell, had filled them : For the Players after Shakespear's Time, curtailed, blotted, transpos’d, added whole Scenes, nay, did any Thing, which they thought would please the lower Set of the Audience, to which Part, to this Day, that Sort of People still make their Court. He added, that his chief Business would be, to render the Text fo that it might read, and be free from those Obscurities, and fometimes gross Abfurdities, that now seem to appear in it, and to explain doubtful and difficult Pallages, of which there are great Numbers: This, and marking Scene Lines, or Words only, imagined to be spurious, was all that noble Gentleman, of a noble Taste and DispoSition, told Mr. Pope he had to do: This was no small Task; how he has acquitted himself, for he complied with this Request, has been differently judged; the Truth we are inclined to think is, in some Places he has let to rights and explained him, and in some places again, made him more unintelli

gible

gible, and done himi Wrong, and thus thought Mr. Theobald, who publishes after Mr. Pope's Edition, another Book called, Shakespear Restor'd, and there he not only endeavours to restore the original Text to Shakespear, but calls upon Mr. Pope to answer for many Mistakes, he strives to prove upon him, making at the same Time his own Amendments: This was the true Cause of their continual being at Variance, and Mr. Theobald bringing forward upon the Stage a Tragedy, called The Double Falshood, which he would have to be believ'd was Shakespear's, Mr. Pope insinuated to the Town, that it was all, or certainly the greatest Part, not written by Shakespear; he picks out a Line: None but tiyself can be thy Parallel. Which he calls a marvellous Line of Theobald, « un

leks, says he, the Play called The Double Falsood « be (as he would have thought) Shakespear's ; but 66 whether this Line be his or not, he proves Shakes or spear to have writ as bad.”

And introducing the above Quotation, as if written by some Author, he goes on in Mr. Theobald's restoring Way to amend some few Words, all the While imitating and sneering at the Stile of Mr. Theobald.

The former Annotator seeming to be of Opinion that the Double Falsood is not Shakespear's; it is but Justice to give Mr. Theobald's Arguments to the contrary : First, that the MS was above sixty Years old; fecondly, that once Mr. Betterton had it, or he hath heard so; thirdly, that some-body told him the Author gave it to a Baftard-Daughter of his: But fourthly and above all, “ that he has a great Mind “ every Thing that is good in our Tongue should be « Shakespear's."

not, he pears, but

writ as bad

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I allow these Reasous to be truly critical; but what. I am infinitely concerned at is, that so many Errors have escaped the learned Editor : A few whereof we shall here amend, out of a much greater Number, as an Instance of our Regard to this dear Relick..

Act 1. Scene I. · I have his Letters of a modern Date, Wherein by Julio, good Camillo's Son (Who as he says, Thall follow hard upon, And whom I with the growing Hour expect) He doth solicit the Return of Gold, To purchase certain Horse that like him well.

This Place is corrupted: The Epithet good is a meer insignificant Expletive, but the Alteration of that fingle Word restores a clear Light to the Context, thus, - I have his Letters of a modern Date, Wherein, by July, (by Camillo's Son, Who, as he faith, shall follow hard upon, And whom I with the growing Hours expect He doth solicit the Return of Gold.

Here you have not only the Person specified, by whose Hands the Return was to be made, but the most necessary Part, the Time, by which it was required. Camillo's Son was to follow hard upon- What? Why upon July-Horse that like him well, is very abfurd : Read it, without Contradiction,

Horse that he likes well.

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expect)

ACT 1. at the End.

I must stoop to gain her,
Throw all my gay Comparisons afide,
And turn my proud Additions out of Service:

Saithe

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