Cinema Studies: The Key ConceptsPsychology Press, 2000 - 528 páginas This new edition of Routledge's definitive "Key Concepts in Cinema Studies" has been extentively updated and expanded. In addition to new entries, such as "pornography" and "adaptation," all of the genre entries reflect the changes of the past few years, and numerous changes have been made in response to feedback from students of film. Featuring some 150 entries, "Cinema Studies: The Key Concepts" explores a wide range of genres, movements, theories and production terms with depth and clarity. This highly readable resource is both authoritative and accessible, making it an ideal guide for film students and a pleasurable reference for film lovers. |
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aesthetic African African cinema American audience auteur auteur theory avant-garde becomes Black cinema Blaxploitation Bordwell Cahiers du cinéma camera castration character classic narrative colour concept construct context counter-cinema critics culture debate desire diegesis discourses documentary dominant editing effect entry enunciation example fantasy father female feminist film theory fetish film industry film noir film-makers flashback French New Wave Freud function further reading gangster gaze gender genre German Hollywood identified ideology jump cut Lacan language lighting mainstream cinema male child meaning melodrama mirror mirror stage mise-en-scène modernist montage mother movement musical myth narrative cinema Oedipal trajectory patriarchal perceived political position post-structuralism postcolonial postmodern practices protagonist psychoanalysis Queer cinema realism reality refers relation representation represented scopophilia screen sequence shot social Soviet spectator star structures studio style suture Symbolic Order theatre Third Cinema Third World Cinema thriller tion tradition unconscious United Western woman women