AdIAnnali D'Italianistica, 1983 |
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Página 134
... present " of the enunciation , testimony to Dido's passion and sense of abandonment . We are witness always to a ... present , and future . It might be correct to say that there are three times , a present of past things , a present of ...
... present " of the enunciation , testimony to Dido's passion and sense of abandonment . We are witness always to a ... present , and future . It might be correct to say that there are three times , a present of past things , a present of ...
Página 136
... present " tense . As we have seen , the first chorus provides a demonstration of lyric's capacity to manipulate time and to reduce all grammatical indices to a meta - present . Chorus III , instead , relies primarily on a literal present ...
... present " tense . As we have seen , the first chorus provides a demonstration of lyric's capacity to manipulate time and to reduce all grammatical indices to a meta - present . Chorus III , instead , relies primarily on a literal present ...
Página 137
... present ( " ora " ) . The interesting combination of a passato remoto ( " ti mirai " ) and a passato prossimo ( " m'hai guardata " ) in verse 7 suggests that even the past re - memorialized refuses to fall into a balanced chiasmus . The ...
... present ( " ora " ) . The interesting combination of a passato remoto ( " ti mirai " ) and a passato prossimo ( " m'hai guardata " ) in verse 7 suggests that even the past re - memorialized refuses to fall into a balanced chiasmus . The ...
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Aeneas Aeneid altri Amicis Amore e ginnastica ancora Annali d'italianistica anni Ariosto's aveva biography Bradamante Braghetti Brunelleschi Canto Cavani Cervia cinema commodity comune context critical Croce cultural studies Dante Dido discorso discourse donna donne epic essay Faranda Fascist fatto female femminile figure film Fiordispina Firenze gender Gramsci Grandi magazzini Grasso identity immigrants infatti invece Italian Cultural Italian Cultural Studies Italy knight letteratura libro lingua linguaggio linguistica literary literature maestra male Mambro Marfisa Marta Abba Milano moda modo molto mondo narrative nazionale Nazism novel ogni Orlando Furioso Orlando Innamorato Pasolini Pasqualino passato Pedani Pirandello poem poesia poetic politica political popular Pratolini processo proprio prostitution punto può quale rapporto reader realtà Resistance Resistenza role Roma romance romanzo saggio secondo sempre senso sexual social solo spesso stato storia storico sulla tempo Terra Promessa Torino tradition tutto Ungaretti victim vita Wertmüller woman women writing Zangrilli