AdIAnnali D'Italianistica, 1983 |
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Página 66
... narrative . The audience in Ferrara was as aware as Ariosto himself of the prescribed end of his narrative . The entire court , subject to the demands of absolute loyalty to the duke , could undoubtedly accept the necessity of ...
... narrative . The audience in Ferrara was as aware as Ariosto himself of the prescribed end of his narrative . The entire court , subject to the demands of absolute loyalty to the duke , could undoubtedly accept the necessity of ...
Página 400
... Narrative in the Italian Renaissance . In discussing these poets , Looney considers how " narrative artists in the Renaissance renovated the popular genre of romance through their imitation of classic epic " ( 15 ) . Carefully analyzing ...
... Narrative in the Italian Renaissance . In discussing these poets , Looney considers how " narrative artists in the Renaissance renovated the popular genre of romance through their imitation of classic epic " ( 15 ) . Carefully analyzing ...
Página 401
... narrative design to Bernardo Tasso's defense of Ariosto's " rhapsodic " narrative technique . In the second chapter on Boiardo's Orlando Innamorato , Looney argues that readers have traditionally undervalued the poet's familiarity with ...
... narrative design to Bernardo Tasso's defense of Ariosto's " rhapsodic " narrative technique . In the second chapter on Boiardo's Orlando Innamorato , Looney argues that readers have traditionally undervalued the poet's familiarity with ...
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Aeneas Aeneid altri Amicis Amore e ginnastica ancora Annali d'italianistica anni Ariosto's aveva biography Bradamante Braghetti Brunelleschi Canto Cavani Cervia cinema commodity comune context critical Croce cultural studies Dante Dido discorso discourse donna donne epic essay Faranda Fascist fatto female femminile figure film Fiordispina Firenze gender Gramsci Grandi magazzini Grasso identity immigrants infatti invece Italian Cultural Italian Cultural Studies Italy knight letteratura libro lingua linguaggio linguistica literary literature maestra male Mambro Marfisa Marta Abba Milano moda modo molto mondo narrative nazionale Nazism novel ogni Orlando Furioso Orlando Innamorato Pasolini Pasqualino passato Pedani Pirandello poem poesia poetic politica political popular Pratolini processo proprio prostitution punto può quale rapporto reader realtà Resistance Resistenza role Roma romance romanzo saggio secondo sempre senso sexual social solo spesso stato storia storico sulla tempo Terra Promessa Torino tradition tutto Ungaretti victim vita Wertmüller woman women writing Zangrilli