naw must look for loss and depression in times of war. This is one of war's dreadful taxes and necessities; and all sorts of innocent people must suffer by the misfortune. The corn was high at Waterloo when a hundred and fifty thousand men came and trampled it down on a Sabbath morning. There was no help for that calamity, and the Belgian farmers lost their crops for the year. Perhaps I am a farmer myself — an innocent colonus; and instead of being able to get to church with my family, have to see squadrons of French dragoons thundering upon my barley, and squares of English infantry forming and trampling all over my oats. (By the way, in writing of "Panics," an ingenious writer in the Atlantic Magazine says that the British panics at Waterloo were frequent and notorious.) Well, I am a Belgian peasant, and I see the British running away and the French cutting the fugitives down. What have I done that these men should be kicking down my peaceful harvest for me, on which I counted to pay my rent, to feed my horses, my household, my children? It is hard. But it is the fortune of war. But suppose the battle over; the Frenchman says, "You scoundrel! why did you not take a part with me? and why did you stand like a double-faced traitor looking on? I should have won the battle but for you. And I hereby confiscate the farm you stand on, and you and your family may go to the workhouse."

The New York press holds this argument over English people in terrorem. "We Americans may be ever so wrong in the matter in dispute, but if you push us to a war, we will confiscate your English property." Very good. It is peace now. Confidence of course is restored between us. Our eighteen hundred peace commissioners have no occasion to open their mouths; and the little question of confiscation is postponed. Messrs. Battery, Broadway and Co., of New York, have the kindness to sell my Saginaws for what they will fetch. I shall lose half my loaf very likely; but for the sake of a quiet life, let us give up a certain quantity of farinaceous food; and half a loaf, you know, is better than no bread at all.

THE NOTCH ON THE AXE. — A STORY
A LA MODE.

PART I.

"EVERY one remembers in the Fourth Book of the immortal poem of your Blind Bard, (to whose sightless orbs no doubt Glorious Shapes were apparent, and Visions Celestial,) how Adam discourses to Eve of the Bright Visitors who hovered round their Eden

'Millions of spiritual creatures walk the earth,

Unseen, both when we wake and when we sleep.'

"How often,' says Father Adam, 'from the steep of echoing hill or thicket, have we heard celestial voices to the midnight air, sole, or responsive to each other's notes, singing!' After the Act of Disobedience, when the erring pair from Eden took their solitary way, and went forth to toil and trouble on common earth-though the Glorious Ones no longer were visible, you cannot say they were gone. It was not that the Bright Ones were absent, but that the dim eyes of rebel man no longer could see them. In your chamber hangs a picture of one whom you never knew, but whom you have long held in tenderest regard, and who was painted for you by a friend of mine, the Knight of Plympton. She communes with you. She smiles on you. When your spirits are low, her bright eyes shine on you and cheer you. Her innocent sweet smile is a caress to you. She never fails to soothe you with her speechless prattle. You love her. She is alive with you. As you extinguish your candle and turn to sleep, though your eyes see her not, is she not there still smiling? As you lie in the night awake, and thinking of your duties, and the morrow's inevitable toil oppressing the busy, weary, wakeful brain as with a remorse, the crackling fire flashes up for a moment in the grate, and she is there, your little Beauteous Maiden, smiling with her sweet eyes! When moon is down, when fire is out, when curtains are drawn, when lids are closed, is she not there, the little Beautiful One, though invisible, present and smiling still? Friend, the Unseen Ones are round about us. Does it not seem as if the time were drawing near when it shall be given to men to behold them?"

The print of which my friend spoke, and which, indeed, hangs in my room, though he has never been there, is that charming little winter piece of Sir Joshua, representing the little Lady Caroline Montague, afterwards Duchess of Buccleuch. She is represented as standing in the midst of a winter landscape, wrapped in muff and cloak; and she looks out of her picture with a smile so exquisite that a Herod could not see her without being charmed.

"I beg your pardon, Mr. PINTO," I said to the person with whom I was conversing. (I wonder, by the way, that I was not surprised at his knowing how fond I am of this print.) "You spoke of the Knight of Plympton. Sir Joshua died,

1792 and you say he was your dear friend?"

As I spoke I chanced to look at Mr. Pinto; and then it suddenly struck me: Gracious powers? Perhaps you are a hundred years old, now I think of it. You look more than a hundred. Yes, you may be a thousand years old for what I know. Your teeth are false. One eye is evidently false. Can I say that the other is not? If a man's age may be calculated by the rings-round his eyes, this man may be as old as Methuselah. He has no beard. He wears a large curly glossy brown wig, and his eyebrows are painted a deep olive-green. It was odd to hear this man, this walking mummy, talking sentiment, in these queer old chambers in Shepherd's Inn.

Pinto passed a yellow bandanna handkerchief over his awful white teeth, and kept his glass eye steadily fixed on me. "Sir Joshua's friend?" said he (you perceive, eluding my direct question). "Is not every one that knows his pictures Reynolds's friend? Suppose I tell you that I have been in his painting room scores of times, and that his sister Thé has made me tea, and his sister Toffy has made coffee for me? You will only say I am an old ombog." (Mr. Pinto, I remarked, spoke all languages with an accent equally foreign.) "Suppose I tell you that I knew Mr. Sam Johnson, and did not like him? that I was at that very ball at Madame Cornelis', which you have mentioned in one of your little-what do you call them? bah! my memory begins to fail me in one of your little Whirligig Papers? Suppose I tell you that Sir Joshua has been here, in this very room?"

--

"Have you, then, had these apartments for more than seventy years?" I asked.

"They look as if they had not been swept for that time— don't they? Hey? I did not say that I had them for seventy years, but that Sir Joshua has visited me here."

"When?" I asked, eying the man sternly, for I began to think he was an impostor.

He answered me with a glance still more stern: "Sir Joshua Reynolds was here this very morning, with Angelica Kaufmann and Mr. Oliver Goldschmidt. He is still very much attached to Angelica, who still does not care for him. Because he is dead (and I was in the fourth mourning coach at his funeral) is that any reason why he should not come back to earth again? My good sir, you are laughing at me. He has sat many a time on that very chair which you are occupying.

There are several

spirits in the room now, whom you cannot see.

Excuse me."

It is

Here he turned round as if he was addressing somebody, and began rapidly speaking a language unknown to me. Arabic," he said; a bad patois I own.

66

I learned it in Bar

bary, when I was a prisoner amongst the Moors. In anno 1609, bin ick aldus ghekledt gheghaen. Ha! you doubt me: look at

me well. At least I am like—"

66

Perhaps some of my readers remember a paper of which the figure of a man carrying a barrel formed the initial letter,* and which I copied from an old spoon now in my possession. As I looked at Mr. Pinto I do declare he looked so like the figure on that old piece of plate that I started and felt very uneasy. "Ha!" said he, laughing through his false teeth (I declare they were false I could see utterly toothless guins working up and down behind the pink coral), you see I wore a beard den; I am shafed now; perhaps you tink I am a spoon. Ha, ha!" And as he laughed he gave a cough which I thought would have coughed his teeth out, his glass eye out, his wig off, his very head off; but he stopped this convulsion by stumping across the room and seizing a little bottle of bright pink medicine, which, being opened, spread a singular acrid aromatic odor through the apartment; and I thought I saw — but of this I cannot take an affirmation - a light green and violet flame flickering round the neck of the phial as he opened it. By the way, from the peculiar stumping noise which he made in crossing the bareboarded apartment, I knew at once that my strange entertainer had a wooden leg. Over the dust which lay quite thick on the boards, you could see the mark of one foot very neat and pretty, and then a round O, which was naturally the impression made by the wooden stump. I own I had a queer thrill as I saw that mark, and felt a secret comfort that it was not cloven.

In this desolate apartment in which Mr. Pinto had invited me to see him, there were three chairs, one bottomless, a little

*This refers to an illustrated edition of the work.

table on which you might put a breakfast-tray, and not a single other article of furniture. In the next room, the door of which was open, I could see a magnificent gilt dressing-case, with some splendid diamond and ruby shirt-studs lying by it, and a chest of drawers, and a cupboard apparently full of clothes.

Remembering him in Baden-Baden in great magnificence, I wondered at his present denuded state. "You have a house elsewhere, Mr. Pinto?" I said.

"Many," says he.

"I have apartments in many cities.

I lock dem up, and do not carry mosh logish."

I then remembered that his apartment at Baden, where I first met him, was bare, and had no bed in it.

"There is, then, a sleeping-room beyond?"

"This is the sleeping-room." (He pronounces it dis. Can this, by the way, give any clue to the nationality of this singular man?)

"If you sleep on these two old chairs you have a rickety couch; if on the floor, a dusty one."

"Suppose I sleep up dere?" said this strange man, and he actually pointed up to the ceiling. I thought him mad, or what he himself called "an ombog." "I know. You do not believe me; for why should I deceive you? I came but to propose a matter of business to you. I told you I could give you the clue to the mystery of the Two Children in Black, whom you met at Baden, and you came to see me. If I told you you would not believe me. What for try and convinz you? Ha hey?" And he shook his hand once, twice, thrice, at me, and glared at me out of his eye in a peculiar way.

Of what happened now I protest I cannot give an accurate account. It seemed to me that there shot a flame from his eye into my brain, whilst behind his glass eye there was a green illumination as if a candle had been lit in it. It seemed to me that from his long fingers two quivering flames issued, sputtering, as it were, which penetrated me, and forced me back into one of the chairs - the broken one-out of which I had much difficulty in scrambling, when the strange glamour was ended. It seemed to me that, when I was so fixed, so transfixed in the broken chair, the man floated up to the ceiling, crossed his legs, folded his arms as if he was lying on a sofa, and grinned down at me. When I came to myself he was down from the ceiling, and, taking me out of the broken cane-bottomed chair, kindly enough "Bah!" said he, "it is the smell of my medicine. It often gives the vertigo. I thought you would have had a little fit. Come into the open air." And we went down