Techniques in choral conducting

accelerando accompaniment attack audience baritone beat outline beginning at measure blend breath cappella cappella choirs changes choral conductor choral music chord chorus composition consonants crescendo dark tone decrescendo diction difficult diminuendo director Easy effect eighth note emphasized expression fermata fifteen cents Fischer follow forte in measure fortissimo in measure glee club glottis half note hand harmony high school important indicated instrumental intensity interpretation intonation larynx legato means measure 13 measure 9 Medium melody meter mezzo forte mood necessary observed organization Palestrina phrase beginning pianissimo piano pitch preparatory beat quarter note range reading rehearsal rhythm rhythmic Schirmer second soprano sight reading sing singers slightly smooth softly solo sonant song soprano and alto sound staccato steady tempo strong accent style suggested sung syllable technique tempo rubato tenor and bass timbre tone color tone quality tongue twelve cents usually vibrato vocal cords voices vowel words