ADR. Why, man, what is the matter? DRO. S. I do not know the matter; he is 'rested on the case. obscure dungeon in any of our prisons. It is mentioned in The Counter-Rat, a poem, 1658: "In Wood-street's-hole, or Poultry's hell." The dark place into which a tailor throws his shreds, is still in possession of this title. So, in Decker's If this be not a good Play, the Devil is in it, 1612: 66 66 Taylors'tis known They scorn thy hell, having better of their own.” There was likewise a place of this name under the Exchequer Chamber, where the king's debtors were confined till they had "paid the uttermost farthing." STEEVENS. An account of the local situation of HELL may be found in the Journals of the House of Commons, Vol. X. p. 83, as the Commons passed through it to King William and Queen Mary's Coronation, and gave directions concerning it. In Queen Elizabeth's time the office of Clerk of the Treasury was situated there, as I find in Sir James Dyer's Reports, fol. 245, A, where mention is made of "one Christopher Hole Secondary del Treasurie, et un auncient attorney and practiser in le office del Clerke del Treasurie al HELL." This I take to be the Treasury of the Court of Common Pleas, of which Sir James Dyer was Chief Justice, and which is now kept immediately under, the Court of Exchequer. The Office of the Tally-Court of the Chamberlain of the Exchequer is still there, and tallies for many centuries back are piled up and preserved in this office. Two or three adjacent apartments have within a few years been converted to hold the Vouchers of the public Accounts, which had become so numerous as to overstock the place in which they were kept at Lincoln's Inn. These, therefore, belong to the Auditors of public Accounts. Other rooms are turned into coal cellars.-There is a pump still standing of excellent water, called HELL pump:-And the place is to this day well known by the name of Hell. VAILLANT. on the case.] An action upon the case, is a general action given for the redress of a wrong done any man without force, and not especially provided for by law. GREY. Dromio, I believe, is still quibbling. His master's case was touched by the shoulder-clapper. See p. 424: "- in a case of leather," &c. MALONE. ADR. What, is he arrested? tell me, at whose suit. DRO. S. I know not at whose suit he is arrested, 5 well; But he's in a suit of buff, which 'rested him, that can I tell : Will you send him, mistress, redemption, the money in the desk? ADR. Go fetch it, sister.-This I wonder at, [Exit LUCIANA. That he, unknown to me, should be in debt:— Tell me, was he arrested on a band?" 6 DRO. S. Not on a band, but on a stronger thing; A chain, a chain; do you not hear it ring? 5 But he's in-] The old copy reads-But is in. The emendation is Mr. Rowe's. MALONE. • That he,] The original copy has-Thus he. The emendation was made by the editor of the second folio. MALONE. 7 was he arrested on a band?] Thus the old copy, and I believe rightly; though the modern editors read-bond.— A bond, i. e. an obligatory writing to pay a sum of money, was anciently spelt band. A band is likewise a neckcloth. On this circumstance, I believe, the humour of the passage turns. 66 Ben Jonson, personifying the instruments of the law, saysStatute, and band, and wax shall go with me." Again, without personification: "See here your mortgage, statute, band, and wax.” Again, in Histriomastix, 1610: 66 tye fast your lands "In statute staple, or these merchant's bands." STEEVENS. Band is used in the sense which is couched under the words, "a stronger thing," in our author's Venus and Adonis: "Sometimes her arms infold him, like a band.” See Minsheu's Dictionary, 1617, in v: "BAND or Obligation." In the same column is found-" A BAND or thong to tie withal." Also-" A BAND for the neck, because it serves to bind about the neck." These sufficiently explain the equivoque. MALONE. ADR. What, the chain? DRO. S. No, no, the bell: 'tis time, that I were gone. It was two ere I left him, and now the clock strikes one. ADR. The hours come back! that did I never hear. DRO. S. O yes, if any hour meet a sergeant, a' turns back for very fear. ADR. As if time were in debt! how fondly dost thou reason? DRO. S. Time is a very bankrupt, and owes more than he's worth, to season. Nay, he's a thief too: Have you not heard men say, way, 8 Hath he not reason to turn back an hour in a day? Enter LUCIANA. ADR. Go, Dromio; there's the money, bear it straight; And bring thy master home immediately.— Come, sister; I am press'd down with conceit; Conceit, my comfort, and my injury. [Exeunt. If he be in debt,] The old edition reads-If I be in debt. STEEVENS. For the emendation now made I am answerable. Mr. Rowe reads-If time, &c. but I could not have been confounded by the ear with time, though it might with he. MALONE. i. e. fanciful conception. So, in King I know not how conceit may "The treasury of life." STEEVENS. rob SCENE III. The same. Enter ANTIPHOLUS of Syracuse. ANT. S. There's not a man I meet, but doth salute me As if I were their well-acquainted friend; Enter DROMIO of Syracuse. DRO. S. Master, here's the gold you sent me for: What, have you got the picture of old Adam new apparelled?1 1 What, have you got the picture of old Adam new apparelled?] A short word or two must have slipped out here, by some accident in copying, or at the press; otherwise I have no conception of the meaning of the passage. The case is this: Dromio's master had been arrested, and sent his servant home for money to redeem him: he, running back with the money, meets the twin Antipholus, whom he mistakes for his master, and seeing him clear of the officer before the money was come, he cries, in a surprize ANT. S. What gold is this? What Adam dost thou mean? DRO. S. Not that Adam, that kept the paradise, but that Adam, that keeps the prison: he that goes in the calf's-skin that was killed for the prodigal; he that came behind you, sir, like an evil angel, and bid you forsake your liberty. ANT. S. I understand thee not. DRO. S. No? why, 'tis a plain case: he that went like a base-viol, in a case of leather; the man, sir, that, when gentlemen are tired, gives them a fob, and 'rests them; he, sir, that takes pity on decayed men, and gives them suits of durance; he that sets up his rest to do more exploits with his mace, than a morris-pike.2 What, have you got rid of the picture of old Adam new apparelled? For so I have ventured to supply, by conjecture. But why is the officer called old Adam new apparelled? The allusion is to Adam, in his state of innocence, going naked; and immediately after the fall, being clothed in a frock of skins. Thus he was new apparelled: and, in like manner, the Sergeants of the Counter were formerly clad in buff, or calf's-skin, as the author humorously a little lower calls it. THEOBALD. The explanation is very good, but the text does not require to be amended. JOHNSON. These jests on Adam's dress are common among our old writers. So, in King Edward III. 1599: "The register of all varieties "Since leathern Adam, to this younger hour." Again, in Philip Stubbes's Anatomie of Abuses, 8vo. 1583: “Did the Lorde clothe our first parents in leather, as not hauing any thyng more precious to attire them withall," &c. STEEVENS. he that sets up his rest to do more exploits with his mace, than a morris-pike.] Sets up his rest, is a phrase taken from military exercise. When gunpowder was first invented, its force was very weak compared to that in present use. This necessarily required fire-arms to be of an extraordinary length. |