The terrible grumble and rumble and roar, And wider still those billows of war As he thought of the stake in that fiery fray, But there is a road from Winchester town, Under his spurning feet the road And the steed, like a bark fed with furnace ire, The first that the General saw were the groups him both, And, striking his spurs with a terrible oath, The sight of the master compelled it to pause. gray, By the flash of his eye, and his nostril's play Hurrah, hurrah for Sheridan! And when their statues are placed on high, THOMAS BUCHANAN READ, THE LITTLE CLOUD. [Written in 1853-] As when, on Carmel's sterile steep, There came at last a little cloud, Scarce larger than the human hand, Spreading and swelling till it broke In showers on all the herbless land. And hearts were glad, and shouts went up, Even so our eyes have waited long; But now a little cloud appears, Spreading and swelling as it glides Onward into the coming years. Bright cloud of Liberty! full soon, Far stretching from the ocean strand, Thy glorious folds shall spread abroad, Encircling our beloved land. Like the sweet rain on Judah's hills, The glorious boon of love shall fall, And our bond millions shall arise, As at an angel's trumpet-call. Then shall a shout of joy go up, The wild, glad cry of freedom come And every bondman's chain be broke, JOHN HOWARD BRYANT. MARCO BOZZARIS. [Marco Bozzaris, the Epaminondas of modern Greece, fell in a night attack upon the Turkish camp at Laspi, the site of the ascient Platea, August 20, 1823, and expired in the moment of victory, His last words were: "To die for liberty is a pleasure, and not a pain."} Ar midnight, in his guarded tent, The Turk was dreaming of the hour When Greece, her knee in suppliance bent, Should tremble at his power. In dreams, through camp and court, he bore The trophies of a conqueror; In dreams his song of triumph heard; Then wore his monarch's signet-ring, Then pressed that monarch's throne a king; At midnight, in the forest shades, Bozzaris ranged his Suliote band, There had the Persian's thousands stood, On old Platea's day; And now there breathed that haunted air An hour passed on, the Turk awoke : And death-shots falling thick and fast "Strike- till the last armed foe expires; Bleeding at every vein. His few surviving comrades saw His smile when rang their proud hurrah, Come to the bridal chamber, death, Come to the mother's, when she feels, For the first time, her first-born's breath; Come when the blessed seals That close the pestilence are broke, Come in consumption's ghastly form, But to the hero, when his sword ilas won the battle for the free, Thy voice sounds like a prophet's word, The thanks of millions yet to be. Of sky and stars to prisoned men ; Thy summons welcome as the cry Bozzaris! with the storied brave Greece nurtured in her glory's time, Rest thee; there is no prouder grave, Even in her own proud clime. She wore no funeral weeds for thee, Nor bade the dark hearse wave its plume, Like torn branch from death's leafless tree, In sorrow's pomp and pageantry, The heartless luxury of the tomb. But she remembers thee as one Long loved, and for a season gone. For thee her poet's lyre is wreathed, Her marble wrought, her music breathed; For thee she rings the birthday bells; Of thee her babes' first lisping tells; For thine her evening prayer is said At palace couch and cottage bed. Her soldier, closing with the foe, Gives for thy sake a deadlier blow; His plighted maiden, when she fears For him, the joy of her young years, Thinks of thy fate, and checks her tears. And she, the mother of thy boys, Though in her eye and faded cheek Is read the grief she will not speak, The memory of her buried joys, And even she who gave thee birth, Will, by her pilgrim-circled hearth, Talk of thy doom without a sigh ; For thou art freedom's now, and fame's, One of the few, the immortal names That were not born to die. Was Freedom's home or Glory's grave! No theme on which the muse might soar, When man was worthy of thy clime. POLAND. FROM "THE PLEASURES OF MEMORY." BYRON. Is there no hand on high to shield the brave? spear, WARSAW's last champion from her height sur- When the glare of noonday scorches the brain, When we, as we rush to the strangling fight, When lance and bullet come whistling by, If on the red field our bell should toll, A pitiful exit thine shall be; No German maid shall weep for thee, Man for man, Swing the battle-sword who can! ITALY. And stop her bloody lips, she takes no heed How one clear word would draw an avalanche Of living sons around her, to succeed The vanished generations. Can she count These oil-eaters, with large, live, mobile mouths Agape for macaroni, in the amount Of consecrated heroes of her south's Bright rosary? The pitcher at the fount, The gift of gods, being broken, she much loathes To let the ground-leaves of the place confer A natural bowl. So henceforth she would seem No nation, but the poet's pensioner, With alms from every land of song and dream, While aye her pipers sadly pipe of her, Until their proper breaths, in that extreme Of sighing, split the reed on which they played! ELIZABETH BARRETT BROWNING. A COURT LADY. I. KÜRNER. Translation of HER hair was tawny with gold, her eyes with CHARLES T. BROOKS. FROM "CASA GUIDI WINDOWS." "LESS wretched if less fair." Perhaps a truth Is so far plain in this, - that Italy, Long trammelled with the purple of her youth Against her age's ripe activity, Sits still upon her tombs, without death's ruth, But also without life's brave energy. "Now tell us what is Italy?" men ask : And others answer, "Virgil, Cicero, Catullus, Cæsar." What beside? to task The memory closer, "Why, Boccaccio, Dante, Petrarca,' - and if still the flask Appears to yield its wine by drops too slow, "Angelo, Raffael, Pergolese,"all Whose strong hearts beat through stone, or charged again The paints with fire of souls electrical, Or broke up heaven for music. What more then? Why, then, no more. The chaplet's last beads fall In naming the last saintship within ken, And, after that, none prayeth in the land. Alas, this Italy has too long swept Heroic ashes up for hour-glass sand; Of her own past, impassioned nympholept ! Consenting to be nailed here by the hand To the very bay-tree under which she stepped A queen of old, and plucked a leafy branch. And, licensing the world too long indeed To use her broad phylacteries to stanch purple were dark, VIII. In she went at the door, and gazing, from end to end, "Many and low are the pallets, but each is the place of a friend." IX. Up she passed through the wards, and stood at a young man's bed: XVIII. On she passed to a Frenchman, his arm carried off by a ball: Kneeling, . . "O more than my brother! how shall I thank thee for all? XIX. "Each of the heroes around us has fought for his land and line, Bloody the band on his brow, and livid the droop But thou hast fought for a stranger, in hate of a XV. wrong not thine. Only a tear for Venice ? she turned as in passion and loss, And stooped to his forehead and kissed it, as if she were kissing the cross. XXIV. Faint with that strain of heart, she moved on then to another, Stern and strong in his death. "And dost thou suffer, my brother?" XXV. Down she stepped to a pallet where lay a face Holding his hands in hers :— like a girl's, Young, and pathetic with dying, a deep black mont lion "Out of the Pied |