Controversy in Literature: Fiction, Drama, and Poetry, with Related CriticismMorris Freedman, Paul Benjamin Davis Scribner, 1968 - 750 Seiten |
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Seite 328
... keeping up appearances as usual ? thats right , thats right . ( JUDITH pointedly moves away from his neigh- borhood ... keep them up to the mark . Come ! ( with a spring he seats himself on the table and takes up the decanter ) clink a ...
... keeping up appearances as usual ? thats right , thats right . ( JUDITH pointedly moves away from his neigh- borhood ... keep them up to the mark . Come ! ( with a spring he seats himself on the table and takes up the decanter ) clink a ...
Seite 347
... keep your promise that I shant be ashamed of my brave wife ? JUDITH : No : this is how I break it . I cannot keep my promises to him : why should I keep my promises to you ? ANDERSON : Dont speak so strangely , my love . It sounds ...
... keep your promise that I shant be ashamed of my brave wife ? JUDITH : No : this is how I break it . I cannot keep my promises to him : why should I keep my promises to you ? ANDERSON : Dont speak so strangely , my love . It sounds ...
Seite 482
... keep in mind the parallel passages in " L'Allegro " and " Il Penseroso " and determine whether there is truly a debate , a controversy , or merely an exploration of the various pleasures offered by gayety as opposed to sobriety ...
... keep in mind the parallel passages in " L'Allegro " and " Il Penseroso " and determine whether there is truly a debate , a controversy , or merely an exploration of the various pleasures offered by gayety as opposed to sobriety ...
Inhalt
The Scope of Swifts Satire | 3 |
Ambiguity and Mystery in Hawthorne | 15 |
NATHANIEL HAWTHORNE | 26 |
Urheberrecht | |
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Abraham Absurd ANDERSON answer appear asked ASLAKSEN beauty become believe brother BURGOMASTER called close comes course CREON criticism dead dear death door DUDGEON effect expression eyes face fact faith father fear feeling follow give goes hand happy head hear heard heart hold HOVSTAD human idea interpretation JONATHAN JUDITH keep leave light live look MADAME ROSEPETTLE meaning mind mother move nature never night NUMBER once passed perhaps PETRA play poem poet poetry present question reality RICHARD ROSALIE seems sense soul speak stand STOCKMANN story sure tell Theatre thee thing thou thought town true truth turn understand veil voice waiter walks whole young