John Gay, Social Critic, Band 10King's Crown Press, Columbia University, 1954 - 262 Seiten Examines the poetry of John Gay to get a more complete picture of his work and to analyze the validity of two common attitudes to the author: that he is the author of one successful-but-trivial play, the Beggar's Opera, or that he is a minor member of the Scriblerus Club notable for being a friend of Swift and Pope. |
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Inhalt
INTRODUCTION | 1 |
IMPLICATIONS OF AN AGE OF INNOCENCE | 15 |
The Beggars Opera | 51 |
Urheberrecht | |
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affinity Alexander Pope animals artist attitude Augustan beast satire beauty Beggar's Opera burlesque Burlington Cawwawkee classical clown concept contrast corruption court courtly love criticism cynical debasement Deidamia didactic Diphilus distortion Ducat eclogue eighteenth century employed English environment Epistle Essay ev'ry evil expressed Fables false fashionable feelings foibles friends Gay's Gay's poems genre genuine georgic happy hath honest honor Horace human ideal illusion imitation irony John Gay Jonathan Swift justice king ladies lives Lockit London Lycomedes Macheath man's mankind mind Mohocks moral nature neoclassical neoclassicist noble passage passion pastoral Pastoral Poetry Peachum perversions poet Pohetohee political Polly poor Pope Pope's Pyrrha reason reflects rich Rural Sports satirists scene Scriblerus Club sense shepherd Shepherd's Week social society South Sea Spenser Swift taste theme Theocritus thou tion tone town tradition Trapes Trivia true universal urban values verse vice Virgil virtue virtuous vogue Walpole wealth
Verweise auf dieses Buch
The English Fable: Aesop and Literary Culture, 1651-1740 Jayne Elizabeth Lewis Eingeschränkte Leseprobe - 1996 |