American Horrors: Essays on the Modern American Horror Film

ABC-TV alien American audience Barbara become body bourgeois Brian De Palma camera Carpenter characters child Cinema contemporary horror film context culture danger dark David David Cronenberg death demonic devil Dracula Dressed to Kill essay evil example Exorcist Eyes of Laura family melodrama fantasy fear female figure film's finally Frankenstein Friday the 13th Funhouse genre Halloween heroine horror film human John John Carpenter killer Larry Cohen Laura Mars Living Dead look made-for-television horror movies made-for-television movies male Michael modern horror monster murder narrative Nightmare novel Palma's patriarchal Polanski Poltergeist popular present protagonists Psycho psychological R. H. W. Dillard reality repressed Richard Robin Wood Romero Rosemary Rosemary's Baby scene science fiction film sequence sexual shot sisters social stalker film Stephen King story structure subgenre suggests supernatural symbolic teenagers telefilm television terror threat tion traditional vampire victims viewer violence vision visual woman women York young community