Languages of Art: An Approach to a Theory of Symbols

aesthetic difference aesthetic experience allographic ambiguous analog anticipated emotion apply articulate atomic autographic belong character coextensive cognitive color compliants comply compound constitute correlated course curves dance Dance Notation denotation dense set densely ordered depends determine diagram disjoint and differentiated distinguish Duke of Wellington emotions emplifies ence example exemplifies expression feeling fictive finite differentiation forgery function given grammatical mood green instance Labanotation labels less light rays literal man-picture mark matter means merely looking metaphorical musical notation nonaesthetic notational language notational scheme notational system object ordinary painting perception performance perspective phorical Pickwick pictorial properties picture represents possession predicate problem question realism realm relation Rembrandt representation resemblance sample score script semantic disjointness semantically dense sketch sort specific symbol scheme symbol systems syntactic theoretically theory things tion tional true copy ture unicorn usually verbal Visual Perception words work-preservation yellow blue