Fiction Refracts Science: Modernist Writers from Proust to BorgesUniversity of Missouri Press, 2005 - 297 páginas In Fiction Refracts Science, Allen Thiher demonstrates that major modernists, in their concern with the sciences, were strongly influenced by them. He argues that there are direct relations between science and the formal shape of fiction developed by some of the most important modernists. Especially relevant for his arguments are modern cosmology and quantum mechanics, as well as examples from mathematics, biology, and medicine. Thiher begins his study by examining the question about the two cultures--scientific and humanistic--that is often invoked in discussions of their relationship. He outlines the essential context for understanding how science was perceived by modernist novelists. This background included Pascalian and Newtonian cosmology, Darwinism, and the questions of epistemology ushered in by relativity theory and quantum mechanics. He then devotes a chapter each to Musil, Proust, Kafka, and Joyce in which he focuses on epistemology and on ideas about law in science and literature. Thiher goes on to describe the subsequent development of modernist fiction. He proposes that, after Joyce, thought experiments dominated the relations between science and later modernist fiction, as exemplified by Woolf, Faulkner, and Borges. In conclusion Thiher addresses the ongoing development of these experiments in postmodern fiction and discusses the fortunes of positivism in postmodern fiction. Written in a clear and accessible style, Fiction Refracts Science will be of interest to specialists in literary modernism, science studies, and the history of science, as well as to scientists themselves. |
Conteúdo
Introduction Prefatory Thoughts on Two or More Cultures I | 1 |
Chapter One What the Modernists Knew about the History | 18 |
Chapter Two Robert Musil and the Dilemma of Modernist | 59 |
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Fiction Refracts Science: Modernist Writers from Proust to Borges Allen Thiher Visualização parcial - 2005 |
Termos e frases comuns
Absalom artistic Austrian axioms belief Borges causality century certainty characters classical Combray consciousness contemporary cosmos critique cultural matrix Dalloway demonstration describe dialectical discourse Einstein Eisendle ence epistemic epistemology example existence experimental fact Faulkner fiction final Finnegans Wake formal framework geometry Heisenberg human idea imagination interpretation Joyce Joyce's Kafka knowl knowledge language literary literature logical Mach Mach's madness mathematics means metaphor metaphysical mind modern modernist Musil myth narrative narrator's nature non-Euclidean geometry novel offer parable paradox parody particles Pascal Pascalian past perception perhaps philosophical physicist physics Poincaré positivism positivist postmodern principle Proust Proust's narrator quantum mechanics quest question reader realism reality realm relations relativity theory representation revelation Robert Musil scientific scientist seems sense space suggests temporal things thought experiment three body problem tion Törless truth Ulrich Ulysses underdetermined unity universe wants Woolf writers Young Törless
