Bach, Handel, Scarlatti 1685-1985Peter Williams Cambridge University Press, 18 de abr. de 1985 - 363 páginas 1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti. This volume covers all three composers and contains essays from an international team of scholars. Some essays make a contribution towards a better understanding of one or other composer, but at least half of them are concerned with ideas connecting two or even all three of them. The essays are concerned with many aspects of the music - technical, chronological, critical, speculative, theoretical and (importantly) practical - and the distinguished contributors have often endeavoured to ask questions rather than jump to conclusions. Every essay makes fresh points and can open up new avenues for players and (in the broadest sense) students, especially in the present climate of wishing to return to 'authentic conditions of performance'. |
Conteúdo
Handel and Music for the Earl of Carnarvon | 1 |
PAUL BRAINARD | 21 |
DONALD BURROWS | 35 |
STEPHEN | 61 |
Muzio Clementi as Advocate of Bach and Scarlatti | 63 |
reproduced by permission of | 73 |
WINTON DEAN | 75 |
reproduced by permission of the British Library | 82 |
PETER LE HURAY JOHN BUTT | 185 |
MARK LINDLEY | 207 |
ALFRED MANN | 245 |
MARSHALL | 259 |
GIORGIO PESTELLI | 277 |
RUDOLF RASCH | 293 |
HANSJOACHIM SCHULZE | 311 |
LUIGI FERDINANDO TAGLIAVINI | 321 |
DAVID FULLER | 99 |
SHERIDAN GERMANN | 119 |
GERALD HENDRIE | 149 |
ROBERT HILL | 161 |
DAVID HUMPHREYS | 173 |
PETER WILLIAMS | 327 |
347 | |
354 | |
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Termos e frases comuns
Allegro Anthem appears aria autograph Bach's bars bass beginning Berlin called Cannons cantata century Chandos Clementi close collection complete composed composition Concerto contains copy course court dotted duets early edition equal evidence example fact fifths figures fingers four French fugue German give given hand Handel Hanover harpsichord indication Italian Italy J. S. Bach Johann keyboard keys kind known later least Leipzig letter Library London major manuscript marked means Mietke minor motif movement nature opening opera organ original passages performance perhaps period piano pieces played possible Prelude present probably published question reason reference ritornello scale Scarlatti score seems shows similar slurs Smith Sonata soprano sources style suggest temperament tempo term third Toccata tuning vocal volume writing written