The Music of Nature: Or, An Attempt to Prove that what is Passionate and Pleasing in the Art of Singing, Speaking, and Performing Upon Musical Instruments, is Derived from the Sounds of the Animated WorldLongman, Brown, Green, and Longmans, 1849 - 505 páginas |
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Página 151
... chord . When so employed , the harmony may be said to be suspended ; but when substantially or emphati- cally used , this combination is termed the chord of the 13th . MADEMOISELLE SONTAG , Musically speaking , is the first prima donna ...
... chord . When so employed , the harmony may be said to be suspended ; but when substantially or emphati- cally used , this combination is termed the chord of the 13th . MADEMOISELLE SONTAG , Musically speaking , is the first prima donna ...
Página 182
... chord of a new key , without the aid of modulation . In Beethoven's Quintet , Op . 20 , a pause note is held for the space of a minute while the violin performs a Cadenza of 131 notes . This expedient effaces from the mind the beautiful ...
... chord of a new key , without the aid of modulation . In Beethoven's Quintet , Op . 20 , a pause note is held for the space of a minute while the violin performs a Cadenza of 131 notes . This expedient effaces from the mind the beautiful ...
Página 189
... chord of the second ; to which is gradually imparted a greater fulness of color , as the violas and violon- cellos steal in with expanding harmony . At the fifth bar , the oboes begin to shed their yellow lus- tre , while the flute ...
... chord of the second ; to which is gradually imparted a greater fulness of color , as the violas and violon- cellos steal in with expanding harmony . At the fifth bar , the oboes begin to shed their yellow lus- tre , while the flute ...
Página 234
... chords in arpeggio . The early sonatas of Haydn also bear marks of the influence of this instrument , and pos- sess nothing of the expression of his latter works . On the introduction of the piano - forte , this unmean- ing style was ...
... chords in arpeggio . The early sonatas of Haydn also bear marks of the influence of this instrument , and pos- sess nothing of the expression of his latter works . On the introduction of the piano - forte , this unmean- ing style was ...
Página 248
... chord , upon which Beethoven has wrought such dark effects . * The tone of the first string is plaintive , and full of sensibility ; and , when used in solo , has a charm of voice that is delightful . The writer was present at a grand ...
... chord , upon which Beethoven has wrought such dark effects . * The tone of the first string is plaintive , and full of sensibility ; and , when used in solo , has a charm of voice that is delightful . The writer was present at a grand ...
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The Music of Nature: Or, An Attempt to Prove that what is Passionate and ... William Gardiner Visualização completa - 1849 |
Termos e frases comuns
accent Adagio admiration Anacreon ancient animals appeared ballad bass bassoon beauty Beethoven bells Bird Braham breath called CHAPTER character charm chord clarionet composer composition concert delight diphthong distance Don Giovanni double bass effect English excellence execution expression extraordinary feelings flute force formed grace Handel harmony Haydn hear heard heart human voice instance Italian language letter listen loud Madame Madame de Staël manner melody ment mind mouth Mozart musical expression musician natural never noise oboe octave Opera oratorio orchestra organs passage passion peculiar performance persons petto piano-forte play pleasure produced render Rossini scarcely scene singer singing soft song soul speaking stage strain string stringed instruments style sublime sung sweet syllables taste theatre thee tion tone tongue tune uttered violin violoncello vocal vocalists vowel wind instruments words writer yes yes
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