Browning & His PoetryAMS Press, 1914 - 127 páginas |
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Página 20
... Bells and Pomegranates . " T II HE test , it has been said , of a reader's idolatry , or his perfect understanding of Browning , lies in the pages of " Sordello . ' It was a sore point with the author almost to the end that its poetic ...
... Bells and Pomegranates . " T II HE test , it has been said , of a reader's idolatry , or his perfect understanding of Browning , lies in the pages of " Sordello . ' It was a sore point with the author almost to the end that its poetic ...
Página 25
... Bells and Pomegranates , " in whose six numbers the poet touched almost every note , dramatic , lyric , and dramatic - lyrical in turn . The poem tells with charming colour and 25 BROWNING & HIS POETRY.
... Bells and Pomegranates , " in whose six numbers the poet touched almost every note , dramatic , lyric , and dramatic - lyrical in turn . The poem tells with charming colour and 25 BROWNING & HIS POETRY.
Página 30
... Bells and Pomegranates " in parts came partly of his natural desire to reach the public and partly from an accidental suggestion of the printer Moxon , who had been producing some older authors in a similar form . " Pippa " first led ...
... Bells and Pomegranates " in parts came partly of his natural desire to reach the public and partly from an accidental suggestion of the printer Moxon , who had been producing some older authors in a similar form . " Pippa " first led ...
Página 31
... Bells and Pomegranates to indicate an endeavour towards something like an alternation or mixture of music with discoursing , sound with sense , poetry with thought . . . . ... The second part contained " King Victor and King Charles ...
... Bells and Pomegranates to indicate an endeavour towards something like an alternation or mixture of music with discoursing , sound with sense , poetry with thought . . . . ... The second part contained " King Victor and King Charles ...
Página 34
... Bells and Pomegranates " series . It shows a marked change of treatment , in that the drama is , so to speak , subjectively directed upon the minds and spirits , the moods and emotions , of the characters , rather than upon outer events ...
... Bells and Pomegranates " series . It shows a marked change of treatment , in that the drama is , so to speak , subjectively directed upon the minds and spirits , the moods and emotions , of the characters , rather than upon outer events ...
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Termos e frases comuns
Abt Vogler Andrea del Sarto Angel Arezzo ballad beauty Bells and Pomegranates Bernard de Mandeville brain breast brought Browning's character Christopher Smart Cimabue colours Count Guido death dramatic Dramatis Personæ Duchess earth Evelyn Hope eyes face Fancies feeling Florence Fra Lippo Lippi galloped give gold hand heart heaven human imaginative Last Duchess leave lives look Luria lyric Macready mind monologue murder nature never night nought o'er once painted Paracelsus Pauline picture Pippa Pippa Passes play poem poet poetic poetry Pompilia Porphyria's Lover portrait Rafael Robert Browning Rome round Shelley smile song sonnets Sordello soul soul's speak spirit stanzas story Strafford suggest thee there's thing thou thought thro Toccata of Galuppi's tragedy tragic turn twas verse villa whole wife words writing
Passagens mais conhecidas
Página 97 - All we have willed or hoped or dreamed of good, shall exist ; Not its semblance, but itself ; no beauty, nor good, nor power • Whose voice has gone forth, but each survives for the melodist When eternity affirms the conception of an hour.
Página 98 - And bade me creep past. No! let me taste the whole of it, fare like my peers The heroes of old, Bear the brunt, in a minute pay glad life's arrears Of pain, darkness and cold. For sudden the worst turns the best to the brave, The black minute's at end, And the elements...
Página 45 - Rolled neck and croup over, lay dead as a stone ; And there was my Roland to bear the whole weight Of the news which alone could save Aix from her fate, With his nostrils like pits full of blood to the brim, And with circles of red for his eye-sockets
Página 93 - O world, as God has made it ! all is beauty : And knowing this, is love, and love is duty.
Página 44 - So, we were left galloping, Joris and I, Past Looz and past Tongres, no cloud in the sky; The broad sun above laughed a pitiless laugh, 'Neath our feet broke the brittle bright stubble like chaff; Till over by Dalhem a dome-spire sprang white, And "Gallop," gasped Joris, "for Aix is in sight!
Página 65 - Sixteen years old when she died ! Perhaps she had scarcely heard my name ; It was not her time to love ; beside, Her life had many a hope and aim, Duties enough and little cares, And now was quiet, now astir, Till God's hand beckoned unawares, — And the sweet white brow is all of her. m. Is it too late then, Evelyn Hope? What, your soul was pure and true, The good stars met in your horoscope, Made you of spirit, fire and dew...
Página 48 - Then off there flung in smiling joy, And held himself erect By just his horse's mane, a boy: You hardly could suspect — (So tight he kept his lips compressed, Scarce any blood came through) You looked twice ere you saw his breast Was all but shot in two.
Página 67 - I loved you, Evelyn, all the while My heart seemed full as it could hold ? There was place and to spare for the frank young smile, And the red young mouth, and the hair's young gold. So, hush, — I will give you this leaf to keep : See, I shut it inside the sweet cold hand ! There, that is our secret : go to sleep ! You will wake, and remember, and understand.
Página 47 - The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace— all and each Would draw from her alike the approving speech, Or blush, at least.
Página 72 - They are stone-faced, white as a curd, there's something to take the eye! Houses in four straight lines, not a single front awry; You watch who crosses and gossips, who saunters, who hurries by; Green blinds, as a matter of course, to draw when the sun gets high; And the shops with fanciful signs which are painted properly.
Referências a este livro
The Cambridge History of English Literature, Volume 13 Sir Adolphus William Ward,Alfred Rayney Waller Visualização completa - 1917 |