The Poetical Works of Alexander Pope: To which is Prefixed, a Life of the Author ... |
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Página xiii
... eyes must roll no more . The conclusion of this elegy is irresistibly affecting . So
peaceful rests , without a stone , a name Which once had beauty , titles , wealth
and fame ; How lov'd , how honour'd once , avails thee not , To whom related ...
... eyes must roll no more . The conclusion of this elegy is irresistibly affecting . So
peaceful rests , without a stone , a name Which once had beauty , titles , wealth
and fame ; How lov'd , how honour'd once , avails thee not , To whom related ...
Página xiv
He then produces some instances of a particular kind of beauty in the numbers ,
and concludes with saying , “ That we have three poems in our tongue of the
same nature , and each a master - piece in its kind ; the Essay on Trans, ated
Verse ...
He then produces some instances of a particular kind of beauty in the numbers ,
and concludes with saying , “ That we have three poems in our tongue of the
same nature , and each a master - piece in its kind ; the Essay on Trans, ated
Verse ...
Página xxiii
A combination of inferior wits were employed to write the Popiad , in which his
translation is characterized as unjust to the original , without beauty of language ,
or variety of numbers . Instead of the justness of the original , they say there LIFE
...
A combination of inferior wits were employed to write the Popiad , in which his
translation is characterized as unjust to the original , without beauty of language ,
or variety of numbers . Instead of the justness of the original , they say there LIFE
...
Página xxiv
A candid reader may easily discern from this furious introduction , that the critics
were actuated rather by malice than truth , and that they must judge with their
eyes shut who can see no beauty of language , no harmony of numbers in this ...
A candid reader may easily discern from this furious introduction , that the critics
were actuated rather by malice than truth , and that they must judge with their
eyes shut who can see no beauty of language , no harmony of numbers in this ...
Página xxvi
Every beauty is there to such an amazing perfection , that the following ages
could add nothing to those of any kind ; and the ancients have always proposed
Homer as the most per fect model in every kind of poetry . “ The third comparison
is ...
Every beauty is there to such an amazing perfection , that the following ages
could add nothing to those of any kind ; and the ancients have always proposed
Homer as the most per fect model in every kind of poetry . “ The third comparison
is ...
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The Poetical Works of Alexander Pope ... To which is Prefixed a Life of the ... Alexander Pope Visualização completa - 1806 |
The Poetical Works of Alexander Pope: To which is Prefixed a ..., Volumes 1-2 Alexander Pope Visualização completa - 1852 |
The Poetical Works of Alexander Pope, Esq: To which is Prefixed the Life of ... Alexander Pope Visualização completa - 1827 |
Termos e frases comuns
Adrastus ancient appear arms bear beauty bless blood breast breath bright cause charms critics death e'en earth eternal eyes face fair fall fame fate fields fire flames fools give gods gold grace hand happiness head hear heart Heaven honour hope kind king laws learning leave less light live looks lord lost mind move muse nature never night nymph o'er once pain passion plain pleasing pleasure poet Pope praise pride rage raise reason rest rich rise round rules sacred sense shade shine side sighs sing skies soft soul sound spread spring streams taught tears tell thee things thou thought trees trembling true turns virtue whole wife winds wise write youth
Passagens mais conhecidas
Página 73 - The world recedes: it disappears! Heaven opens on my eyes! my ears With sounds seraphic ring: Lend, lend your wings! I mount! I fly! O Grave! where is thy Victory? O Death! where is thy Sting.
Página 84 - Tis not enough no harshness gives offence, The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast- weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Página 120 - To wake the soul by tender strokes of art, To raise the genius, and to mend the heart ; To make mankind in conscious virtue bold, Live o'er each scene, and be what they behold...
Página 104 - Whatever spirit, careless of his charge, His post neglects, or leaves the fair at large, Shall feel sharp vengeance soon o'ertake his sins, Be...
Página 80 - A little learning is a dangerous thing; Drink deep, or taste not the Pierian spring : There shallow draughts intoxicate the brain, And drinking largely sobers us again.
Página 84 - Though oft the ear the open vowels tire; While expletives their feeble aid do join; And ten low words oft creep in one dull line: While they ring round the same unvaried chimes With sure returns of still expected rhymes: Where'er you find "the cooling western breeze...
Página 100 - Repairs her smiles, awakens every grace, And calls forth all the wonders of her face: Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes. The busy sylphs surround their darling care, These set the head, and those divide the hair, Some fold the sleeve, while others plait the gown; And Betty's praised for labours not her own. CANTO II NOT with more glories, in th...
Página 288 - She, who ne'er answers till a husband cools, Or, if she rules him, never shows she rules ; Charms by accepting, by submitting sways, Yet has her humour most, when she obeys...
Página 80 - OF all the causes which conspire to blind Man's erring judgment, and misguide the mind, What the weak head with strongest bias rules, Is pride, the never-failing vice of fools.
Página 83 - Words are like leaves, and where they most abound, Much fruit of sense beneath is rarely found. 310 False eloquence, like the prismatic glass, Its gaudy colours spreads on every place ; The face of Nature we no more survey, All glares alike, without distinction gay ; But true expression, like th' unchanging sun, Clears, and improves whate'er it shines upon ; It gilds all objects, but it alters none.