Educational Theatre Journal, Bände 13-14American Theatre Association, 1961 |
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Seite 89
... begin to comprehend keenly cer- tain central qualities in Molière's plays , and much about how he and his com- pany may have presented them : the ro- bust vitality of the writing ; the nimble ness in speech and physical action re- 3 ...
... begin to comprehend keenly cer- tain central qualities in Molière's plays , and much about how he and his com- pany may have presented them : the ro- bust vitality of the writing ; the nimble ness in speech and physical action re- 3 ...
Seite 12
... begin rehearsals anyway . Skinner says that " for two weeks we practically lived in the theatre . " At night " Lord and Commons struck its ap- athetic note to diminishing audiences . " while " all day we worried through the painful ...
... begin rehearsals anyway . Skinner says that " for two weeks we practically lived in the theatre . " At night " Lord and Commons struck its ap- athetic note to diminishing audiences . " while " all day we worried through the painful ...
Seite 200
... Begin , murderer ; pox , leave thy damnable faces , and begin . Come , the croaking raven doth bellow for revenge . " For Hamlet , what the Prologue describes as a " tragedy " is a " comedy " ; he is referring to the whole action of the ...
... Begin , murderer ; pox , leave thy damnable faces , and begin . Come , the croaking raven doth bellow for revenge . " For Hamlet , what the Prologue describes as a " tragedy " is a " comedy " ; he is referring to the whole action of the ...
Inhalt
Gassner John Broadway in Review 46 103 Joseph Bertram Acting Shakespeare Rev | 64 |
Morrison Jack See Heffner Hubert | 131 |
Gassner John Theatre at the Crossroads Rev Halewyn Michel de Ghelderode trans | 136 |
Urheberrecht | |
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